武汉大学真题Word文档格式.docx
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B.1894
C.1906
D.1926
解析：
1880年是闰年，因为1880能被4整除，1894，1906年1926这三个数字均不能被4整除，因此1894年、1906年和1926年均不是闰年。
（2）.Whichoneofthefollowingyearswillnotbealeapyear?
A.2000
B.2024
C.2052
D.3000
2000既能被4整除，又能被400整除。
因此，2000年肯定是闰年。
2024年和2052均能被4整除，因此2024年和2052年均是闰年。
3000虽然能被100整除，但不能被400整除，因此3000年不是闰年。
（3）.Howmanyleapyearswilltherebeinthedecadecommencing1January2019?
A.1
B.2
C.3
D.4
从2019年元月1日开始的10年间有3个闰年。
2020年为第一个闰年，2024年为第二个闰年，2028年为第三个闰年。
（4）.Since1582,themaximumnumberofleapyearspossibleinanydecadeis______.（分数：
A.2
B.3
C.4
D.5
从1582年起，任何一个10年的闰年的最大数目是3。
做此题可采取排除法，C和D肯定不对。
4年为一个闰年，4个闰年需要16年时间，5个闰年需要20年时间，远远地超过了10年，因此很容易排除。
考生可以这样推理：
20年里必定有5个闰年，其中的一个10年只有两个闰年，另一个10年必定有3个闰年。
因此，从1582年起，任何1个10年的闰年的最小值是2，最大值是3。
WhenyoumeetTimWinton,it'
seasytounderstandhissuccessatwritingforteenagers.Helikessurfingandfishingandcampingandhangingoutinthevasttractofsanddunesthatborderstheone-pubfishingtownwherehelivesinWesternAustralia.Heevenlookslikethebigkidwhosatbehindyouinhighschoolandhasthekindoflaid-backmannerandearthyconversationthatyouknowappealstothosetooyoungtobetreatedaskidsbutnotgrown-upenoughtobeadmittedtotheadultworld.
Winton'
sfirstforayintoteenagefiction,LockieLeonard,HumanTorpedo,isabouttogointoitssecondprinting.Evenmoregratifyingforthewriterhasbeentheresponsethebookhasprompted.He'
shadscoresofappreciativeletters"
fromkids,parents,teachers"
andhasreadpassagesfromthebooktostudentsincountryhighschools.
WritingforyoungreadershasalsoenabledWintontofindawider,non-literaryaudience."
It'
sverydifficulttobreakoutofthefew-thousand-groupofAustralianswhoread,ofwhomhalforallareprofessionalorsemi-professionalreaders.It'
snicetogettopeoplewhoaren'
tjaded,whowillcomeatastoryandreaditforwhatitis."
Youdon'
thavetodealwiththeireducationandtheirpastandtheirbiases."
Wintonwashimselfstillateenagerwhenhestartedwritingseriouslyat16.Threeyearslater,in1981,hewasnamedjointwinnerofTheAustralianVogelLiteraryAwardforhisfirstnovel,AnOpenSwimmer.Hadheknownwhenhewas16howdifficultitistomakealivingasawriter,hewouldneverhavestarted."
Iwasabout10whenIdecidedIwantedtobeawriter,andIguessIlackedtheimaginationtothinkofanythingelse,"
hesaid."
IgottheideaandIjuststuckwithit.Iwasunawareofhowharditistomakealivingfromthepeopleyouhavetodealwith."
NeitherlackofimaginationnorinattentiontodetailisevidentinWinton'
swriting.InThatEye,TheSky,hetakesusintotheturbulentsoulofhis12-year-oldprotagonist,MortonFlack,withprosethatsendsyoubacktolong,hotsummerholidaysinthecountry.
Thehotwhitedayswimsalongrealsnowlikethesunisbreast-strokingthroughthatblueskywhenitshouldbegoingfreestyle.Everyonehangsaroundtheshadeofthehouselisteningtothetreesintheeastwind.Thegroundiswobblywithheat.Thehouseticks.Youcanhearseedspopping,grassdryingupandfaintingflat.Youcanhearthesnakespuffing.
OtheryoungprotagonistshavebeengivenvoiceinWinton'
sshortstories,sothetransitiontowritingforteenagers,insteadofaboutthem,wasasmoothone."
Lockie'
snotsodifferentintonefromtheadultbooks,"
Ifyougettooself-consciouswhenyou'
rewritingforkids,youenduptalkingdowntothem--youjustuseyourowntoneandbeyourself,andifthatdoesn'
twork,itprobablywouldn'
thaveanyway."
（1）.Wintonhopestoreachanaudience（inParagraph4）thatis______.（分数：
A.youthfulandcaring
B.unprofessionalandjaded
C.educatedandwidelyread
D.unbiasedandspontaneous
温顿希望与没有偏见的、自发的读者建立联系。
答案的依据是第四段最后两句。
（2）.WhichofthesestatementsisbestsupportedfromthepassageinParagraph5?
A.Itisbesttostartwritingwhenyouareyoung.
B.Earningalivingfromwritingrequirespainstakingeffort.
C.Thedecisiontobecomeawriterwascarefullyconsidered.
D.Thedecisiontobecomeawriterwasnotcarefullyconsidered.
想当作家的决定未经过深思熟虑。
作者在第五段中说，要是他（指温顿）16岁时知道靠写作谋生是多么的艰难，他就不会着手写作了，这说明他想当作家的决定并未经过认真思考。
B也有一定的迷惑力，但不如D深刻。
换句话说，D包含了B。
（3）.Accordingtothelastparagraph,thetransitionfromwritingforanadultaudiencetowritingforayoungeraudienceiseasyforWintonbecause______.（分数：
A.hedeliberatelyadoptsasuitabletone
B.ithashappenedlaterinhiswritingcareer
C.hehaswrittenaboutyoungpeoplebefore
D.hehasbeenpreparingforthisformuchofhiswritingcareer
根据最后一段，从为成年人写作过渡到为年轻的读者写作，对温顿来说很容易，因为他以前写过年青人的情况。
答案的依据是最后一段的第一句话。
（4）.ThekindoftoneTimWintonaimsforinhiswritingisbestdescribedas______.（分数：
A.gentle
B.natural
C.humble
D.self-conscious
温顿在写作中力图采用的口吻是自然的口吻。
温顿在最后一段说：
“为孩子们写作时如果你的态度不自然，你就是高人一等地跟孩子们讲话，就用你自己的口吻吧，要显得自然。
”因此，应选B。
RobertMenzieswasconservativePrimeMinisterofAustraliafrom1939to1941andagainfrom1949untilhisretirementin1966.Menziesprovokedavarietyofresponsesduringhispoliticalcareer.ViewsⅠtoⅣbelowsummarizesomeofthoseresponses.
ViewⅠThesupremetwentieth-centurystatesmanandpolitician,presidingwitheaseoverthenation,andrepresentingAustraliaabroadwithdignityandaplomb.
ViewⅡAuthoritariandespitehisprofessedliberalbeliefs,hewastheenemyoftheworkers,whostayedinofficeforseventeenyearsthroughacombinationofunscrupulousopportunism,remarkablegoodluck,andthegullibilityoftheAustralianpeople.
ViewⅢMenziesimposedthevaluesofabygoneageonAustralia,withhisdevotiontoBritainandtheBritishmonarchy,andhiscautiousconservatism.Hesuppressedanew,creative,energeticgenerationbycultivatingsmugness,fearandindifferenceintheAustraliaofthe50sand60s.
ViewⅣDownrightdemocratic,somethingnewanddifferentbutwithaneasy-goingmannerandaggressiveindependence.
（1）.WhichoneoftheViews（Ⅰ--Ⅳ）expressesthestrongestadmirationforMenzies?
A.Ⅰ
B.Ⅱ
C.Ⅲ
D.Ⅳ
四种观点中，第一种观点表达了人们对孟席斯极其强烈的钦佩之情。
第一种观点是赞赏孟席斯；
第二种观点和第三种观点的语气均是批评的语气；
第四种观点中既有称赞的成分也有批评的成分，所以A。
（2）.WhichoneoftheViews（Ⅰ--Ⅳ）ismostdamningaboutMenzies'
effectonAustralia'
sculturalidentity?
A.Ⅰ
C.Ⅲ
孟席斯对澳大利亚的文化特征的影响而言，第三种观点最容易导致他身败名裂。
根据第三种观点，孟席斯把以往的价值观强加给澳大利亚，忠于英国和英国的郡主制度，他又拘谨，又保守。
他压制有创造力的、精力充沛的新一代，在50年代和60年代的澳大利亚培养自满、恐惧和冷漠的情绪。
（3）."
Aggressiveindependence"
（ViewⅣ）ismostatoddswiththesuggestionofMenzies'
______.（分数：
A.easyauthority（ViewⅠ）
B.hypocrisy（ViewⅡ）
C.politicalcunning（ViewⅡ）
D.devotiontoBritain（ViewⅢ）
第四种观点中的aggressiveindependence（敢作敢为，保持独立人格）与第三种观点中的devotiontoBritain（忠于英国）相矛盾。
（4）.ViewsItoIVofMenziesallrepresenthimasamanwhowas______.（分数：
A.dignifiedandremote
B.schemingandruthless
C.rigidandold-fashioned
D.forcefulandinfluential
将以上四种观点综合起来，可以得出这样的结论：
孟席斯权力巨大，有影响力。
Inthefollowingpassage,PhilipRothistalkingtoafriend,Joanna,abouthisfather.
"
DidIevertellyouwhathappenedwhenhewasmuggedacoupleofyearsago?
Hecouldhavegothimselfkilled.'
No.Tellme."
Ablackkidaboutfourteenapproachedhimwithagunonasidestreetleadingtotheirlittletemple.Itwasthemiddleoftheafternoon.Myfatherhadbeenatthetempleofficehelpingthemwithmailingorsomethingandhewascominghome.TheblackkidspreyontheelderlyJewsinhisneighborhoodeveninbroaddaylight.TheybicycleinfromNewark,hetellsme,taketheirmoney,laugh,andgohome"
."
Getinthebushes,"
hetellsmyfather."
I'
mnotgettinginanybushes,"
myfathersays."
Youcanhavewhateveryouwant,andyoudon'
tneedthatpiecetogetit.Youcanputthatpieceaway."
Thekidlowersthegunandmyfathergiveshimhiswallet."
Takeallthemoney,"
myfathersays,"
butifthewallet'
sofnovaluetoyou,Iwouldn'
tminditback."
Thekidtakesthemoney,givesbackthewallet,andheruns.Andyouknowwhatmyfatherdoes?
Hecallsacrossthestreet,"
Howmuchdidyouget?
Andthekidisobedient--hecountsitforhim."
Twenty-threedollars,"
thekidsays."
Good,"
myfathertellshim--"
nowdon'
tgooutandspenditoncrap."
Joannalaughed."
Well,he'
snotguilty,yourfather.Ofcoursehetreatshimlikeason.HeknowsthattheJewsinBialystokwerenotresponsiblefortheNewEnglandslavetrade."
sthat--it'
smore.Hedoesn'
texperiencepowerlessnessintheusualway."
Yes,he'
soblivioustoit,"
shesaid."
Hewon'
tgiveintoit.Itmakesforterrificinsensitivitybutalsoforte
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