SAT真题全解析.docx

上传人:b****5 文档编号:11963117 上传时间:2023-04-16 格式:DOCX 页数:36 大小:41.66KB
下载 相关 举报
SAT真题全解析.docx_第1页
第1页 / 共36页
SAT真题全解析.docx_第2页
第2页 / 共36页
SAT真题全解析.docx_第3页
第3页 / 共36页
SAT真题全解析.docx_第4页
第4页 / 共36页
SAT真题全解析.docx_第5页
第5页 / 共36页
点击查看更多>>
下载资源
资源描述

SAT真题全解析.docx

《SAT真题全解析.docx》由会员分享,可在线阅读,更多相关《SAT真题全解析.docx(36页珍藏版)》请在冰豆网上搜索。

SAT真题全解析.docx

SAT真题全解析

2008年10月SAT真题解析

阅读

Section2

1.此题为简单同义重复,空格处因填写与“significantimpact”同方向的词会,答案C(influential)正确。

2.此题逻辑关系为同义重复,二空与“someoneshroudedinmystery”同方向,故答案B正确。

3.题干中冒号提示本题逻辑关系为同义重复。

空格处因填与“shewrotemorethan…”同方向词汇。

答案C(aprolific)正确。

4.题干中一共三重逻辑关系。

借助于逻辑关系词even,一空与conventional同义重复,二空借助that从句同义重复。

一二空之间借助nevertheless反义重复。

故答案E正确。

5.题干中两个for均提示本题为同义重复中因果关系。

空格处应填“implementingsweeping…”内容同方向的词汇。

答案D(precipitately)正确。

Questions6-10arebasedonthefollowingpassages.

Passage1

Everyage,afterhisown,hasgoneinsearchofShakespeare.Thefirstbiographywaswrittenin1709.NowitisapooryearfortheShakespearebusinesswhentwoorthreemoredonotshowuponbookstoreshelves.Wewanttoknowwhohewashopingthatthenarrativeofhislifewillsomehowexplainthegeniusofhiswriting.Butitneverdoes.Wefindhimbutwhowefindonlyaddstothemystery.Howisitthatamanwithoutauniversityeducation,aglover'ssonfromasmallWarwickshiremarkettown,couldhavewrittentheplaysandpoemsthathavespokentogenerationsofreadersandtheatergoers?

Passage2

Stratford.Shakespeare'shometown,hasbecomeanalmostsacredplaceofpilgrimage,withtouristswaddlingreverentlyaroundthespectacularlytastelesscathedraloftheShakespeareMemorialTheatre.Animpressionablefewofthemareevenmovedtodofftheircapsordiscardtheiricecreams.Shakespeare'sfamiliarhigh-domedhead,animagethatisquitepossiblynothimatall,hasadornedeverythingfromTVbeercommercialstoBritishcurrency.Heisthepresidinggeniusofthenationalspirit,akindofheroinaneckruff.Withouthimindustrieswouldcrashandideologiescrumble.Itisevenrumoredthathealsowroteplays.

分析:

Passage1对Shakespeare是正面的态度。

而Passage2对Shakespeare是负面的态度。

从首句的tastelesscathedral就可以看出。

整个P2比P1要难以看懂些。

P2的每一句都是对Shakespeare的一个讽刺,不明白为什么去悼念他,讽刺整个经济对他的依赖,讽刺人们对关于他评论的盲从。

6.TheauthorofPassage1wouldlikelyclaimthatStratford'shavingbecome"analmostsacredplaceofpilgrimage"(lines12-13.Passage2)is

(A)inappropriategivenShakespeare'shumblebeginnings

(B)atoddswithShakespeare'scurrentstatusamongliteraryscholars

(C)unsurprisinggiventheintensecuriosityShakespeareinspires

(D)unusualinanagethatcommercializesShakespeare

(E)puzzlingconsideringhowsmallthetownofStratfordis

分析:

P1观点对Shakespeare正面态度,选择一个符合P1想法的就为答案。

7.ComparedwiththetoneofPassage1.thetoneofPassage2ismore求异/态度

(A)optimistic

(B)appreciative

(C)impartial

(D)uncertain

(E)irreverent

分析:

P2对Shakespeare是负面态度及讽刺。

选表达负面的选项。

8.Inline17,"familiar"mostnearlymeans词汇题

(A)sociable

(B)presumptuous:

ofapersonortheirbehaviour)failingtoobservethelimitsofwhatispermittedorappropriate

(C)ordinary

(D)closelyacquainted

(E)easilyrecognized

分析:

Familiar:

wellknownfromlongorcloseassociation;(familiarwith)havingagoodknowledgeof

9.ThefinalsentenceinPassage2isbestinterpretedas推理题

(A)aself-deprecatingacknowledgmentthattheauthorisnotanexpertonShakespeare

(B)afactualobservationabouttheextentofthepublic'sknowledgeofliterature

(C)ahumorousadmissionthatagreatdealremainsunknownaboutShakespeare'slife

(D)aderisivecommentaboutthepublic'slackofrealengagementwithShakespeare'swork

(E)asnidecommentaryonthepublic'swillingnesstobelieverumors

10.Bothpassagessupportthepointthat求同题

(A)manyofthegenerallyaccepteddetailsaboutShakespeare'slifeareprobablyinaccurate

(B)Shakespearewasageniusofthehighestmagnitude

(C)fewpeopletodayactuallyreadShakespeare'swork

(D)verylittleisknownaboutcertainperiodsofShakespeare'slife

(E)athrivingindustryisdependentonShakespeare'slifeandwork

分析:

第一篇文章NowitisapooryearfortheShakespearebusinesswhentwoorthreemoredonotshowuponbookstoreshelves.第二篇文章Shakespeare'sfamiliarhigh-domedhead,animagethatisquitepossiblynothimatall,hasadornedeverythingfromTVbeercommercialstoBritishcurrency.分别都提到Shakespeare对经济的重要性。

Questions11-16arebasedonthefollowingpassage.

Thispassageisadaptedfromacontemporarybookaboutjewelry.

InthewakeoftheIndustrialRevolution,whenmassproductionbecametheprideandjoyofnineteenth-centuryentrepreneurs,afast-growingmiddleclassreveledintheluxuryofconsumergoods,includingjewelry,madeavailableateconomicalprices.Prosperoussegmentsofthepopulationwantedtodemonstratetheiraffluence,adevelopmentthatprovidedapowerfulstimulustothejewelryindustryinbothEuropeandtheUnitedStates.

在工业革命苏醒之际,大规模生产变成了十九世纪企业家的骄傲和自豪。

快速发展的中产阶级让奢侈品变成了大众消费品。

百姓中富裕的人们想要显示自己的富裕。

而这一因素的存在也快速激励了美国及欧洲的珠宝行业。

Inthisavalancheofmassproduction,manyartistsandartisansoftheArtsandCraftsmovementfeltthatthehumantouch,respectformaterials,andthesatisfactionofafinefinishwerebeinglost.Jewelry,likeotherarticles,wasbecomingimpersonal,carelesslyconstructed,unimaginativelydesigned.Thoughlabeledromanticandidealistic,someartistssoughttoproduceindividuallyconceivedandexecutedpiecesinworkshopsituationssimilartothoseofmedievalguilds.Theywantedtoproduce,handmadejewelryfromless-expensivematerialsforthegeneralpublic,yetwiththesamecareandcommitmentacourtjewelermightapplytoworkforaristocraticclientele.Inmedievaltimestherehadbeenartisansintownsandvillages,workingforordinarypeopleonaone-to-onebasis;theadherentsofthemovementfelttherewasanurgencytoreturntothisspecialrelationship.Itwasconsideredparticularlyimportantthatartistsbeinvolvedtoensuretheproductionofmoremeaningfulobjects,whethertheybepottery,furniture,or,especially,jewelry.Thematerialusedinjewelrywasprizedforitsdecorativeandsymboliceffects,notforitsintrinsicvalue.Rejectingtheclutteredoverornamentationofthepast,artistsinfluencedbyArtNouveausoughttodrawpopularinterestawayfrommachine-madeproductsbyincorporatingmoredelicateandfluidnaturalforms—peacockfeathers,flowerstalks,vinetendrils,eveninsectwings.

在这个大规模生产的爆发中,在这场艺术手工变革的很多艺术家和手工制作者觉得人们内心的触动,对物质的高要求,和完成品的完美感都全部丢失。

珠宝,就如同其它的商品一般,变得不再是个人化(而是大众消费化)变得粗糙的做工,乏味的涉及。

尽管有些艺术家依然保留那些浪漫主义情怀和完美主义的心境,但是大多数的他们在工厂所造就的珠宝盒在那些中世纪的商会中所造的珠宝没什么两样。

(这里强调这时候工厂的艺术者和中世纪的商会所造的珠宝都不好。

他们(应该指的是那些工作的艺术家)想要造出为大众设置的廉价材料的珠宝,但是一个皇家的珠宝设计师获取用同样的关注和承诺在为贵族做珠宝。

在中世纪时期,在城市和村庄有很多手工制造者,为基层百姓工作。

那些这种运动的执着者觉得很有必要回归这种原始的手工对应个人需要的关系。

觉得非常重要的是:

让艺术者确保产品的意义是很重要的,无论这个产品是瓷器,家具,还是珠宝。

珠宝中所运用的材料为一只被赞誉它装饰性和象征性的效果而并不是内在的价值。

艺术家反对过去风格中的复杂的过于装饰,他们受新艺术形式的影响追求优雅的自然形式来吸引大众,让大众原来大规模生存。

11.Accordingtothepassage,mass-producedjewelryandthatproducedbyfollowersoftheArtsandCraftsmovementwerealikeinthatboth细节题

(A)couldbemadequicklyoilalarge-scalebasis

(B)couldbecustom-designedforaparticularindividual

(C)wereintendedtobeaffordable

(D)wereaswellcraftedasthejewelryofthewealthy

(E)werecarefullymarketedproducts

分析:

文章首句讲到madeavailableateconomicalprices和第二段Theywantedtoproduce,handmadejewelryfromless-expensivematerialsforthegeneralpublic都表示想让产品是能让大众消费得起的。

12.ForadherentsoftheArtsandCraftsmovement,theguildconceptrepresented推理题

(A)avulgardistortionofartisticprinciples

(B)aregressivethrowbacktomedievaltimes

(C)apracticalmeanstorealizetheirideals

(D)asymboloftheprivilegethatonlyroyaltycouldenjoy

(E)aninnovativeapproachtomanufacturingluxuryitemsonawidescale

分析:

此题属于难题。

得确定题干中的adherents其实就是原文中的manyartistsandartisansoftheArtsandCraftsmovement。

和someartistssought。

再看有guild的句子:

someartistssoughttoproduceindividuallyconceivedandexecutedpiecesinworkshopsituationssimilartothoseofmedievalguilds。

从次句会发现这里将medievalguild和workshop做了类别。

那么medievalguild和workshop具备同样是性质。

Atthesametime,theArtNouveaustylewasinspiringartistsandartisansalloverEurope,acrosstheAtlanticandbackagain.Itsflowinglinesandgracefulforms,drawingnatureinitsperfectionandportrayingidealizedimages,pervadedallareasofdesign,fromfabricsandfurnituretocutlery,aswellaspaintingandsculpture.Bornoutofadirectoppositiontounbridledmassproduction,ArtNouveauwasintendedtobringaestheticvalueswithinthereachofthepublicandintofunctionalareas.PerhapsitwasinjewelrythatArtNouveaureacheditspinnacle.Herethestylerepresentedareactionagainsttheimitationofstylesfromearlierperiodsandtheemphasisgiventopreciousstones.Thematerialusedinjewelrywasprizedforitsdecorativeandsymboliceffects,notforitsintrinsicvalue.Rejectingtheclutteredoverornamentationofthepast,artistsinfluencedbyArtNouveausoughttodrawpopularinterestawayfrommachine-madeproductsbyincorporatingmoredelicateandfluidnaturalforms—peacockfeathers,flowerstalks,vinetendrils,eveninsectwings.

与此同时,新艺术风格正在激烈整个欧洲的手工制造者和艺术家恢复过去的样子。

完美的流线,优雅的格调,画出物质本来美的一面侵袭这这个设计风尚。

这个风尚蔓延着从布料,到家具,到画幅,到雕塑。

新艺术的产生是由于大规模生存的驱使,新艺术想将新的美学感注入一定领域。

可能是在珠宝领域,让新艺术到底了顶峰。

在这个领域的风格代表了反感模仿的反应。

pinnacle

noun

ahighpointedpieceofrock

尖锥形岩石

■asmallpointedturretbuiltasanornamentonaroof

(屋顶上作装饰的)小尖塔;尖顶

■themostsuccessfulpoint;theculmination

顶峰,巅峰,极点,顶点

13.Inlines28-46,theauthorindicatesthatthedesignsofArtNouveauobjectswereinspiredby细节题

(A)naturalimages

(B)mythicalfigures

(C)abstractideas

(D)functionalobjects

(E)elaboratedevices

分析:

第三段最后一句话drawpopularinterestawayfrommachine-madeproductsbyincorporatingmoredelicateandfluidnaturalforms—peacockfeathers,flowerstalks,vinetendrils,eveninsectwings.表达是重自然现象中吸取创造灵感。

14.Lines40-42("Thematerial...value")indicatethatthematerialsthatweremosthighlyprizedforArtNouveaujewelrywerethosethat细节题

(A)werethemostconvenienttoobtain

展开阅读全文
相关资源
猜你喜欢
相关搜索

当前位置:首页 > 成人教育 > 成考

copyright@ 2008-2022 冰豆网网站版权所有

经营许可证编号:鄂ICP备2022015515号-1