从接受美学角度看英文歌曲的翻译学士学位论文.docx

从接受美学角度看英文歌曲的翻译学士学位论文.docx

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从接受美学角度看英文歌曲的翻译学士学位论文

郑州xxxxxxxxxxx学院

毕业论文（设计）

2011届英语专业xxxxxxx班级

题目从接受美学角度看英文歌曲的翻译

姓名xxxxxxx学号xxxxxxxxx

指导教师xxxxxxx职称副教授

二О一1年五月一日

AnalysisoftheTranslationofForeignSongsfromthePerspectiveofReceptionalAesthetic

By

xxxxxxxxxxxxxxx

Supervisor:

xxxxxxxxxxxxxxx

 DepartmentofForeignLanguages

ZhengzhouInstituteofAeronauticalIndustryManagement

May2010

内容摘要

歌曲，这种糅合了语言、文学和音乐三项元素的艺术体裁，一直在人类文明历史舞台上扮演着极其重要的角色，由于各民族各国家间语言文化的差异，歌曲翻译变的十分重要。

歌曲翻译与其他翻译不尽相同，因为除歌词以外，歌曲翻译还受制于音乐，正如薛范先生所说：

进行歌曲翻译，曲和词已经存在，即，先已有了水晶鞋，必须为它寻找一双合适的脚。

只有找到唯一的辛德瑞拉才能配得上那双唯一的水晶鞋。

从美学角度看，翻译实质上是一种审美活动。

它是审美主体（译者）对审美客体（原作）的审美要素进行分析、综合、转化加工，直至完成的审美再现活动。

译者（审美主体）应努力发掘出原作（审美容体）的语言（音乐语言和文学语言）所要表达的一切，把原作的神韵和艺术意蕴通过译语再现出来，使受众如同直接欣赏原作那样被打动，得到美的享受。

本文从接受美学的角度探讨英文歌曲的翻译，用一个全新的视角——读者的角度来说明歌曲翻译的重要性及其与接受美学的关系，系统的阐述了我国外文歌曲的发展历程及歌曲翻译的代表人物，指出了我国的歌曲翻译面临的问题，并针对存在的问题提出了相应的翻译策略。

关键词

接受美学；英文歌曲；歌曲翻译策略

Abstract

Songsarethemixtureofthreeelements（language,literatureandmusic）,whichhaveplayedextremelyimportantroleinthecivilizationhistoryofhuman;fordifferentcountriesandnationshavingdifferentlanguageandculture,sothetranslationofsongsbecomeveryimportant.Songtranslationisnotthesameasothertranslation;becausewemustthinkaboutthemelodywhentranslatelyrics.Fromanaestheticperspective,translationisanactivity.Itisanactivitythataestheticsubjects（translator）analyzestheaestheticfactors,comprehensive,processing,untilyoufinishalltheaestheticemersionactivities.Thetranslatorshouldtrytoexploreoriginallanguageanditsmeaning,expresstheverveandartisticoforiginalworksviatranslationreproducing,tomakeaudiencemoved;getbeautifulenjoymentasappreciatingoriginalsongs.

ThispaperdiscussedEnglishsongtranslationfromtheAngleofaesthetics,usinganewview–fromangleofreader.AndalsosystematicallyexpoundeddevelopmentofforeignsongsandtherepresentativefiguresinChina.Itpointedoutthesongstranslation'sproblemsandputforwardthecorrespondingtranslationstrategiesbasedontheexistingproblems.

Keywords

ReceptionalAesthetic；Englishsongs；thestrategiesoftranslation

Acknowledgements

irstofall，myheartfeltthanksgotoProf．ZhangYunxia，mysupervisor,whohelpedmealotateverystageofthisthesisandneverhesitatedtogiveinvaluablesuggestions,evenwhensheisverybusy．Duetoherconstantencouragementandenlightenment,Imanagedtofinishthisthesissmoothly．

MysincerethanksalsogotoallmyteachersduringmygraduatestudyatZhengzhouInstituteofAeronauticalIndustryManagement,especiallytoProfessorZhenglei.Theynotonlyledmetoailacademicworldbutalsotaughtmetherightapproachestocarryscientificresearch．

Lastbutnotleast，Iownmyspecialgratitudetomyfriendsaroundmefortheiradviceandassistance．Withouttheircareandsupport,itisimpossibleformetohavecompletedthisgraduationthesis.Theirfriendshipandkindnesswillalwaysbeapreciouspartofmymemory．

Contents

Abstract（inChinese）……………………………………………………ⅰ

Abstract（inEnglish）…………………………………………………….ⅱ

Acknowledgements………………………………………………...iii

Content..........................................................................

1.ThedevelopmentofourEnglishsongtranslation………………….1

1.1Development………………………………………1

1.2RepresentativesandworksofEnglishsongtranslation…………………………………...2

1.3ThecurrentproblemsofEnglishsongtranslation.........................3

1.3.1QuantityofTranslationworksdecline.........................................3

1.3.2Lessandlesstranslator................................................................3

1.3.3Translatorteampresentaging....................................................3

2.Acceptaestheticstheoryanditsapplicationinthesongtranslation.………………........................................................4

2.1Acceptaestheticsandmainideas………………………………………4

2.1.1Acceptaestheticstheory

2.1.2“Readerfocus”acceptsaesthetics……………………………......................4

2.2TheapplicationofReceptionalAestheticinthetranslationofsongs……………………..………………4

2.3Musicandliteraryattributeofthetranslationofsongs……………………..………………4

2.3.1Musicattributeofsongs'translation……………………..………………4

2.3.2literaryattributeofsongs'translation....................................................…..5

3.TheoutlookofthestrategiesofEnglishsongs'translationfromtheperspectiveoftheReceptionalAesthetic………………………..……………6

3.1Literaltranslation…………………………......6

3.2Freetranslation………………………………………………..7

3.3Extendencetranslation…………………………………………...8

Conclusion……………………………………………………………...9WorksCited…………………………………………………………...10

AnalysisoftheTranslationofForeignSongsfromthePerspectiveofReceptionalAesthetic

Abstract:

Songsarethemixtureoft