新历史主义解读《哈姆雷特》大学学位论文.docx
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新历史主义解读《哈姆雷特》大学学位论文
毕业论文
学生姓名
刘璐
学号
020901052
院(系)
外国语学院
专业
英语(师范)
题目
新历史主义解读《哈姆雷特》
指导教师
徐晓兵讲师
(姓名)(专业技术职称/学位)
2013
年
5
月
10
日
NewHistoricistReadingofHamlet
AThesisSubmitted
toSchoolofForeignLanguages
HuaiyinNormalUniversity
inPartialFulfillmentoftheRequirements
fortheDegreeofBachelorofArts
By
LiuLu
Supervisor:
XuXiaobing
May10,2013
Acknowledgements
Iwanttoexpressmyappreciationtomanywhosupportedmyeffortsinwritingthisdissertationduringpastfewmonths.
IamgreatlyindebtedtoProf.Ms.Xuwhopatientlyhelpedmeandgavemealotofusefulinformation.Ittookheralargeamountoftimetoreadandimprovemypaper.Withoutherhelp,Iwouldhavefailedtofinishmypaper.Iamdeeplyimpressedbyherhardworkingspirit.
HeartythanksshouldalsobegiventoProfessorZhangXiuguo,whohasofferedthecourseEssayWritingthattellushowtowriteawell-formedthesis.
Specialthanksshouldbeextendedmyclassmateswhoshowtheirkindencouragementandusefulsuggestionstomeduringmywritingprocess.
Abstract
HamletisregardedasthepeakofShakespeare’sartisticcreation.Fromthenon,theplayhasbeenstudiedbyalargenumberofliteraryscholars,manyofwhomholdvariousopinionsaboutthetext,so-called“thereareonethousandHamletsinonethousandreaders’minds”.TheobjectiveofthisthesisistodisclosetherelationshipbetweenHamletanditshistoricalcontextbyapplyingthemajortheoriesofNewHistoricism,especiallytheNewHistoricistdictumof“historicityoftextandtextualityofhistory”.BasedonNewHistoricism,thethesisexaminesthetextfromthreeaspects:
firstly,Shakespeare’screationalbackgroundofHamlet;secondly,theinfluenceofthehistoricalcontextonHamletwhichmakestheplayarepresentationoftheElizabethaneraandthespecificeffectofHamletontheconstructionofthehistoricalcontextoftheElizabethanera.Last,theimportantroleplayinginthedevelopmentofdramaandculture.Thus,thenewhistoricistreadingofHamletwillhighlightsomeculturalaspectsofthetext.
Keywords:
Hamlet;Shakespeare;NewHistoricism;historicity;textuality
摘要
《哈姆雷特》是莎士比亚艺术创作的巅峰之作。
时至今日,莎翁评论家依然对该剧众说纷纭,真所谓“有一千个读者就有一千个哈姆雷特”。
本文运用“文本的历史性和历史的文本性”这一新历史主义最重要的理论,挖掘《哈姆雷特》与它所产生的社会历史环境间的“对话性”关系。
本文从三个层面解析文本:
首先探讨莎士比亚创作《哈姆雷特》的历史背景;其次《哈姆雷特》反映了伊丽莎白时代的特定历史背景,揭示历史对文本的影响;最终指出《哈姆雷特》在英国戏剧和文化发展中所起的重大历史作用。
因此,本文将有助于文本的文化层面的解读。
关键词:
《哈姆雷特》;莎士比亚;新历史主义;历史性;文本性
Contents
1.Introduction1
2.AnIntroductiontoNewHistoricism2
2.1ThedefinitionofNewHistoricism2
2.2MajortheoriesofNewHistoricism2
3.Hamlet—theProductofShakespeare’sNegotiationwiththeHistoricalContext4
3.1ThedynamicroleShakespeareplayedincreatingHamlet4
3.1.1Shakespeare,asecretCatholicsympathizer4
3.1.2Shakespeare’sinterestinmentalproblems5
3.2ThesubmissiveroleShakespeareplayedincreatingHamlet7
4.Hamlet—ARealisticRepresentationoftheSocietyintheElizabethanEra8
4.1AbriefaccountofthereligiousandsocialbackgroundoftheElizabethanera9
4.2CharactersinHamlet:
typicalfiguresoftheElizabethanera10
4.2.1TheroleofHamletinthetext10
4.2.2TheroleofFortinbrasinthetext11
5.TheHistoricalPowerofHamlet11
5.1Dramaticlevel12
5.2Culturallevel13
6.Conclusion14
WorksCited16
1.Introduction
Shakespeare’sHamlethasarousedhotdiscussionsamongmanycriticsinallages.Fromtheearly17thcentury,theplaywasfamousforitsghostandvividdramatizationofmelancholyandinsanity,leadingtoaprocessionofmadcourtiersandladiesinJacobeanandCarolinedrama.Thisviewchangeddrasticallyinthe18thcentury,whencriticsregardedHamletasahero—apure,brilliantyoungmanthrustintounfortunatecircumstances.Forexample,GilbertMurraysaidinhis“HamletandOrestes”that“ThethingsthatthrillandamazeusinHamlet...butthingsbelongtotheoldstoriesandtheoldmagicrites”(171).Bythe19thcentury,literarycriticismcametofocusmoreoncharacterandlessonplot.Inthe20thcentury,criticismbranchedinseveraldirections,discussedincontextandinterpretation.However,fewcriticspaymuchattentiontoitshistoricalbackground.TheauthorwasinvokedbythemintoaseriousthinkingaboutthespecificrelationshipbetweenHamletanditshistoricalbackground.IsHamletdeeplyinfluencedbythehistoricalbackground?
Doesithavesomeinfluenceonthehistoryinreturn?
AndhowdidShakespearecreatesuchaplayatthatparticulartime?
NewHistoricismoffersaperspectiveforauthor’sthinkingbecause“therelationshipbetweenhistoryandtextremaininthecenteroftheNewHistoricistarguments”(ZhuG260).ThetheoriesofNewHistoricismwouldprovidemewithwiderandfirmerbasistomakeasystematicstudyontherelationshipbetweenHamletanditshistoricalcontext,whichinthisspecificaspect,couldbemoreindepththanthepreviousstudies.Theauthorwouldliketodivideherdissertationintomainlyfourparts.Inchapter1,theauthorwouldgiveabriefintroductionisgiventoNewHistoricismanditsmajortheories,especiallythosewhicharefeasiblefortheresearchonHamlettoofferatheoreticalbasisformyresearch.Authorwouldfocusontheauthor,Shakespeareinchapter2,applyingsometheoriesofNewHistoricismsuchas“socialenergy”and“negotiation”toanalyzehowShakespeareproducedHamlet.ThenexttwochaptersdealwiththerelationshipbetweenthetextHamletandthehistoricalcontextoftheElizabethanErawiththehelpofthewell-knownNewHistoricistdictumof“historicityoftexts”and“textualityofhistory”separately.Inchapter3,theauthorwoulddiscusstheinfluenceofhistoryonthetextwhichmakestheplayarealisticrecordingoftheElizabethanEra.Andtheauthorwoulddiscussinchapter4theinfluenceofthetextonthehistoricalcontext—thehistoricalpowerofHamlet.Onthewhole,theauthorwoulddoaresearchonShakespeare’sHamletfromtheperspectiveofNewHistoricisminordertoshowtheimportantvalueofthisplaytoanalyzeinter-influencebetweentheplayandthehistoricalcontextoftheElizabethanEra,andtoapproachagaintotherelationshipbetweenhistoryandtext.
2.AnIntroductiontoNewHistoricism
2.1ThedefinitionofNewHistoricism
AccordingtotheNewWorldEncyclopedia,“NewHistoricismisanapproachtoliterarycriticismandliterarytheorybasedonthepremisethataliteraryworkshouldbeconsideredaproductofthetime,place,andhistoricalcircumstancesofitscompositionratherthanasanisolatedworkofartortext”.NewHistoricismsuggestsliteraturemustbestudiedandinterpretedwithinthecontextofboththehistoryoftheauthorandthehistoryofthecritic.NewHistoricistsaimsimultaneouslytounderstandtheworkthroughitshistoricalcontextandtounderstandculturalandintellectualhistorythroughliterature,whichdocumentsthenewdisciplineofthehistoryofideas.Unlikeprevioushistoricalcriticism,whichlimiteditselftosimplydemonstratinghowaworkreflecteditstime,itevaluateshowtheworkisinfluencedbythetimeinwhichtheauthorwroteit.Italsoexaminesthesocialsphereinwhichtheauthormovedthepsychologicalbackgroundofthewriter,andthebooksandtheoriesthatmayhaveinfluencedhimorher.InNewHistoricists’eyes,“atextcanhaveneitheraunifiedideologynoranentirelyaestheticfunction”(Colebrook24-25).
2.2MajortheoriesofNewHistoricism
NewHistoricismborrowsthe“PowerTheory”fromthefamousPost-StructuralistMichelFoucaulttoanalyzeindepththedetailedrelationsbetweenhistoryandtext.InFoucault’stheory,powerreferstherelationsofdominationandresistancewhichsaturateoursocial,politicalandculturalrelations,butitcanalsorefertothewaysinwhichpowerisaproductive,evenpleasurable,partofourexistence.Itiseverywhere;notbecauseitembraceseverything,butbecauseitcomesfromeverywhere(Foucault93).Obviously,“power”herehasamuchbroaderapplicationthanthewordslike“politics”and“economy”,whichareusedbythetraditionalhistoricism.“Poweralsoneedstohavesubversion,otherwiseitwouldbewithouttheopportunitytojustifyitself,andtomakeitselfvisibleaspower”(Brannigan8).Asaresult,certaintextcouldbesubversivetosomeextent,intheinterestofpower.Foucault'sprincipalinterestishowpowerdiffusesitselfinsystemsofauthorityandhowitaffectsoftruthproducedwithindiscourseswhichinthemselvesareneithertruenorfalse.
InNewHistoricists’opinion,literarytextsareplacedinthespecifichistoricalcontextandrelatedtoothernon-literarytextswhichconstructedwithinotherspecifichistoricalcontext;similarly,historyisregardedasatextofinterrelatedcontexts.“DifferentNewHistoricistsmayhavedifferentinclinationstohistoricityandsexuality”(ZhuG260).ThisisjustthefamousNewHistoricistdictumof“historicityoftextandtextualityofhistory”,whichbasedontheNewHistoricistLouisMontrose’stheory.InLouisMontrose’smostfamousdictum,theneworientationtohistoryinliterarystudiesmaybecharacterizedasadynamicdialoguebetweenliteratureandhistoryandithasareciprocalconcernwith“thehistoricityoftextsandthetextualityofhistory”.Historycaninfluencetextandinthemeanwhile,itcanalsobeinfluencedbytextandisconstitutedbyvarioustexts.“TherelationshipbetweenhistoryandtextremainsinthecentreoftheNewHistoricistarguments”(ZhuG206).
AnotherimportanttheoryNewHistoricismhasestablishedisaboutthe“writer”.StephenGreenblattarguesthatthewriterasasubjectisalwaysdoing“self-fashionin