unit 14课后练习.docx
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unit14课后练习
LovingandHatingNewYork练习题答案/answer
Ⅰ.
1.Olmsted:
FrederickLawOlmstedJr.(1870--1975),Americanlandscapearchitect.AHarvardgraduate(1894),hestudiedunderhisfather,FredcrickLawOlmsted,andbeganpracticeaslandscapearchitectin1895.HewaslandscapearchitectfortheMetropolitanParkSystemofBoston,1898--1920;BaltimoreParkandParkCommission,1902--1917;memberoftheNationalCapitalParkandPlanningCommissionin1929,andagainfrom1945.Heactedinconsultingcapacityforanddesignedportionsoftheparksorotherpublicimprovementsofmanytownsandcitiesandnumerousinstitutions,landsubdivisions,andprivateproperties.AmonghisdesignsinWashingtonD.C.werethoseforRockCreekandAnacostiaParks,theMall,andtheWhiteHousegrounds.Hewrotenumerousarticlesandreportsonprofessionalsubjects.
2.Bach:
JohnSebastianBach(1685--1750),Germancomposerandorganist,oneofthegreatestandmostinfluentialcomposersoftheWesternWorld.Hebroughtpoly-phonicbaroquemusictoitsculmination,creatingmasterfulandvigorousworksinalmosteverymusicalformknowninhisperiod.Bornintoagiftedfamily,Bachwasdevotedtomusicfromchildhood;hewastaughtbyhisfatherandlaterbyhisbrotherJohannChristophe.Hiseducationwasacquiredlargelythroughindependentstudies.
SincefewofBach'smanyworkswerepublishedinhislifetime,exactdatescannotbefixedforallofthem,butmostcanbeplacedwithsomecertaintyintheperiodsofhislife.AtArnstadtandMiihlhausenhebeganaseriesoforgancompositionsthatculminatedinthegreatworksoftheWeimarperiod;thePassacagliaandFugueinCMinor.AtCothenheconcentratedoninstrumentalcompositions,especiallykeyboardworks:
theChromaticFantasyandFugue;theEnglishSuites;andBookIofthecelebratedTheWell-Tempered-Clavier.HealsowroteseveralunaccompaniedviolinSonatasandcellosuites,andtheBrandenburgConcertos,recognizedasthebestconcertigrossievercomposed.AsmusicaldirectorofStThomasatLeipzig,hecomposedmanyofhissuperbreligiouscompositions,theChristmasOratorio,theSt.MatthewPassion,etc.TheprincipalkeyboardworksofthisperiodwereBookⅡofTheWell-TemperedClavierandthefourbooksofclavierpiecesintheClavierubung,whichincludes:
sixpartitas(1726--1731);theItalianConcertoandthePartitainBminor(1735);andtheGoldbergVariations.
Thebulkofhisworkisreligious.Inaddition,hecomposedanastonishingnumberofinstrumentalworks,manyofthemdesignedfortheinstructionofhisnumerouspupils.Inhisinstrumentalandchoralworksheperfectedtheartofpolyphony,displayinganunmatchedcombinationofinventivenessandcontrolinhisgreat,stridingfugues.Duringhislifetime,Bachwasbetterknownasanorganistthanasacomposer.Fordecadesafterhisdeathhisworkswereneglected,butinthe19thcenturyhisgeniuscametoberecognized,particularlybyromanticcomposerssuchasMendelssohnandSchumann.Sincethattimehisreputationhasgrownsteadily.
Ⅱ.
1.No,hishometownisSeattle,aseaportinwestcentralWashingtonStateonPugetSound.Seeparagraph4.
2.ThesesignsshowthatNewYorkisnolongertheleadingcityintheUnitedStates.
3.NewYorknolongerbegetsthestylesandsetsthetrends.Itisnolongerapacesetter.
4.Othercitieshavebuildingsmoreinspiredarchitecturally.Thecenterofmusicandsportshavealsoshiftedtoothercities.AsatouristattractionitisinferiortoNewOrleans,SanFrancisco,WashingtonorDisneyland.Finally,therearemanybettercitiestoliveinthanNewYork.
5.TheEuropeanscallNewYorktheirfavoritecitybecausetheylikeitscosmopolitancomplexities,itssurvivingEuropeanstandardsanditsalienmixtures.Perhapssomeofthemarereassuredbytheinternationalnamesofjewelers,shoestoresanddesignershops.ButwhatmostexcitesEuropeansisthecity'scharged,nervousatmosphere,itsvulgardynamism.
6.TimwriterwenttoNewYorkbecausehelikestolivethereandhecouldpracticethekindofjournalismhewantedinthatcity.
7.TheyoungpeoplegotoNewYorktotestthemselvesandtoavoidgivingintothemostbanalandmarketableoftheirtalents.InNewYorktheyalsofindthecompanyofmanyotheryoungpeoplesimilarlyfleeingfromtheconstrictingatmosphereofsmallercities.
8.NewYorkisstillthebankingandcommunicationsheadquartersforAmerica.Thenetworks'newscentres,thelargestbookpublishers,thebiggestmagazines,theadagenciesareallhere,appraisingandratifyingthefilms,theplays,themusic,thebooksthatothershavecreated.
9.Newcomerscanfindorformtheirlittlegroupsand,thoughthesegroupslieclosetoeachother,thereisnocontactorintercoursebetweengroups.Thisgivesthecityitssenseoffreedom.
10.Despiteallthefaultsofthecity,aNewYorkerstillpreferstoliveinNewYorkbecausehepreferstheunhealthyhassleandvitalityofurbanlife.WhathefindsattractiveaboutNewYorkisitsrawness,tension,urgency;itsbracingcompetitiveness;therigorofitsjudgments;andthecongested,democraticpresenceofsomanyotherNewYorkers,encasedintheirownworlds.
11.Itisinfactthefirsttrulyinternationalmetropolisbecausehereonefindsamuchwidermixtureofnationalities---Asians,Africans,LatinsandallvarietiesofEuropeans.
Ⅲ.
1.Thisarticleisapieceofexpositorywriting.Themainthemeorthesisisstatedbythetitle"LovingandHatingNewYork",ormorespecifically,bythefirstsentenceofthelastparagraph:
“LovingandhatingNewYorkbecomesamatterofalternatingmoods,ofteninthesameday."
2.GriffithdevelopshismainthesisbybothobjectiveandemotionaldescriptionofNewYorkandthelifeandstruggleofNewYorkers.Itisveryeffective.(Seetheanswerto4.)
3.ThisarticleisfullofAmericanEnglishterms,phrasesandconstructions.SuchasT-shirt,hassle,plush,holdout,comeback,putdown,measureup,expense-account,etc.
4.ThewriterstatesthathebothlovesandhatesNewYork,butthereaderfailstoseewhereorwhyhehatesNewYork.ItisclearthatGriffithlovesNewYorkandfeelsexhilaratedlivingthere.Hemaysometimesfeelexasperatedbutthisfeelingisneverstrongenoughtoturntohate.ThewritershowshisloveforNewYorkwiththewordssuchasenergy,contention,striving,etc.
5.Thefirstfiveparagraphsactasageneralintroduction,settingforththepresentstatusofNewYorkcityintheUnitedStatesandintheeyesofforeigners.Thelastsentenceofparagraph5alsoactsasatransitiontothe"actualdescriptionsofNewYorkcityitself:
"thecharged,nervousatmosphere,itsvulgardynamism"ofthelastlineofparagraph5leadstothe"energy,contention,andstriving"inthefirstlineofparagraph6.
6.Thetopicsentenceofparagraph8isthefirstsentence."Nature’spleasuresaremuchqualifiedinNewYork."Thewriterusesmanyexamplestodevelopthisparagraphandtobackupthestatementmadeinthetopicsentence.
7.InNewYork,ashrewdunderstandingorabilitytoappraisethingsisappreciatedandpaidfor,andskillandlearningbythemselvesarenotconsideredvaluable.
8.Free.Student’schoice.
Ⅳ.
1.NowadaysNewYorkcannotunderstandnorfollowthetasteoftheAmericanpeople.
2.NewYorkboaststhatitisacitythatresiststheprevailingtrends(styles,fashion)ofAmerica.
3.SituationcomediesmadeinHollywoodandtheactualperformanceofJohnnyCarsonnowreplacethescheduledradioandTVprogramsforCalifornia.
4.NewYorkisregainingsomewhatitsstatusasacitythatattractstourists.
5.ApersonwhowinsinNewYorkisconstantlydisturbedbyfearandanxiety(becauseheisafraidoflosingwhathehaswoninthefiercecompetition).
6.Thechancetoenjoythepleasuresofnatureisverylimited.
7.AtnightthecityofNewYorkisaglowwithlightsandseemsproudlyandhaughtilytodarkenthenightsky.
8.ButapureandwholehearteddevotiontoaBohemianlifestylecanbeexaggerated.
9.Inboththeserolesofbankingandcommunicationsheadquarters,NewYorkstartsororiginatesveryfewthingsbutgivesitsstampofapprovaltomanythingscreatedbypeopleinotherpartsofthecountry.
10.Thetelevisiongenerationwasconstantlyandstronglyinfluencedbyextravagantpromotionaladvertising.
11.Authorswritinglongseriousnovelsearntheirlivinginthemeantimebyalsowritingarticlesforpopularmagazines.
12.Broadway,whichseemedunabletoresistthecheap,gaudyshowsputoninthesurroundingareas,isonceagainbusyandactive.
13.(IfyoutellaNewYorkeraboutthevigorofoutdoorpleasures,hewillreplythat)hepreferstheunhealthyturmoilandanimatedlifeofacity.
14.Thosewhofailedinthestruggleoflife,thedown-and-outs,arenothiddenawayinslumsorghettoeswhereotherpeoplecan'tseethem.
15.NewYorkconstantlyirritatesandannoysverymuchbutattimesitalsoinvigoratesandstimulates.
Ⅴ.Seethetranslationofthetext.
Ⅵ.
1.holdout:
(Americanism)aplacethatholdsout;holdout=continueresistance;standfirm;notyield
2.live:
transmittedduringtheactualperformance
3.charged:
tense;intense
4.put-down:
(Americanslang)abelittlingremarkorcrushingretort
5.foothold:
asecurepositionfromwhichitisdifficulttobedislodged
6.measureup:
(Americanism)provetobecompetentorqualified
7.jingle:
aversethatjingles;jinglingarrangementofwordsorsyllables
8.expense-account:
(Americanism)anarrangementwherebycertainexpensesofanemployeeinconnectionwithhisworkarepaidforbyhisemployer
9.illustra