厄瓜多尔的建筑发展.pptx

1、ArchitecturedevelopmentinEcuadorNEOCOLONIAL/MODERNISM/CONTEMPORARYTHEHISTORICISMItwasanarchitecturalstyledevelopedbetweenthelate19thandearly20thcenturies.This particular style concentrated all its efforts to recover thearchitecture of times past,imitating architectural styles fromothererasandincorpo

2、ratingsomeculturalspecificitiesofmoderntimesandthecountrywherewerelocatedthebuildings.Ontheotherhand,astyleverysimilartothehistoricismandittendstobeconfusedwiththis,so-calledeclectic,wasdedicatedtomixstylestogiveshapetosomethingtotallynew.NEOCOLONIALARCHITECTUREINLATINAMERICAWhile in Latin American

3、countries,from Mexico to Argentina(includingthestatesofCaliforniaandFlorida,intheUnitedStates,ofastrongLatininfluence),astyleknownasneo-colonial,andthatpresentsdiverserootsduetotheheterogeneityoforiginsofthecolonizingculturesofeachterritory,havebeenalreadytheseSpanish,Portuguese,FrenchorBritish.For

4、this reason,the term is very broad and there are differentversionsoftheneocolonialarchitecturebydifferenthistoricalandculturalreasons,dependingonthelocation.In countries such as Ecuador,with a strong Spanish colonialpresenceatthebeginningoftheconquest,thismovementhadfertilelandinthemiddleofthe20thce

5、ntury.HISTORICISMARCHITECTUREECUADORAlthoughsome lateinrelationtoEurope,where this style hadappeared at the end of the 19th century,the historicistarchitecturehadagreatboomintheEcuadoriancapitalaround1920,whenontheothersideoftheAtlanticbeganthedeclineofthesame.The historicism came to replace the rep

6、ublican style that hadprevailedsincethetimeoftheindependenceofthecountryin1830,andhisstylebyotherbizarretothemannersofthetime,people could be shocking in a home,but ended up being wellaccepted,especiallyinitsneobarrocoflowsandneocolonial.NEOGOTICHISTORICISMLARREACASTLE1940BASILICOFTHENATIONALVOTE189

7、2NEOMUDEJARHISTORICISMTHEALAMBRAPALACE1932VILLAGOMEZYEPEZPALACE1932NEOCLASICACADEMICISTHISTORICISMFEMALEHIGHSCHOOLESPEJO1922VICEPRESIDENTPALACE1922NEOCLASICPALLADIANHISTORICISMSUCRENATIONALTHEATRE1879-1922OLDMILITARYHOSPITAL(MUSEUMOFCONTEMPORARYART)1899-1932NEOCOLONIALHISTORICISMECUADORIANCULTUREHOU

8、SE1946CARRIONPALACE1939THEMODERNISMINLATINAMERICAIn Latin America,sculpture,painting and architecture cometogetherinbuildingitsmanifestationsatdifferentscaleandintherealizationofdifferenttypes.SeveraltimesithasbeenassertedthatLatinAmericawasneverinthe modernism sense,where modernity arose from a cap

9、italistmodeofproduction,industrial,factorylineandstandardization,asamachineforliving,working,drivingandentertainment.In the south it was conceived as aesthetics aspirational,combining of modernity,but hand-crafted,from the figurativeabstraction-often-andassociatedwithpoliticalratherMarxistswhoclaime

10、dthesocialfunctionofthearchitectureandthevalueofthetechnologymadebyhand.Perhaps we can stretch the argument to assert that themodernism in Latin America was born in the post-modernismtime,with its collage of regionalisms and hybridizations,expressionism,itsorganicismandhisinterestimpregnablebythecon

11、text.THEMODERNISMINECUADORTheconceptofModernArchitectureinEcuadorwasunderstanding as something stylistic more than chronologic.Itwascharacterizedfortheformsimplification,theabsenceoftheornament and the conscience renounce about the classicacademic composition taking references inside the differentre

12、ferences developed in modern art.(Cubism,expressionism,futurism,etc.)Abovealltheuseofthenewmaterialsaslikesteel,concreteandtheapplicationofthetechnologiesassociatedinthechangeaboutthewaytoprojectandconstructthebuildingsandthespacesforthelifeandthehumanactivity.MODERNISMECUADORODRIOZOLAPLANFORQUITOCI

13、TY1942In the scenographic what Odriozola,baroque and the fictional,which arise from adiscomfortwiththemodernurbanism,willhaveanimpactonthepicturesque,intheidealizationofthelandscapeandintheMythificationofthemountain.Inaddition,thenotesonQuitowillbeinternalizedaninterpretationofwhatthecitywantedtobe1

14、5,andthatJoneswilltrytoreachinvariouswaysthroughtheRegulatoryPlan.MODERNISMECUADORLAPREVISORABANK1939NationalArchive1955MODERNISMECUADORGADUMAG,CAJADELSEGURO.1959LEGISLATIVEPALACE1956MODERNISMECUADORCENTRALBANKECUADOR1963LAPREVISORANORTH1961MODERNISMECUADORCIESPAL1970HILTONCOLONHOTEL1974MODERNISMECU

15、ADORTEMPLEOFTHEHOMELAND1982MODERNISMECUADORQUITOCONTEMPORARYARCHITECTUREECUADOR1999-actualityAs its point of departure Ecuador had a deep financial crisis thatproduced minimal interventions,of scarce resources,calls foraccountabilityinthemanagementoftheresourcessynthesizedintheaphorismdoalotwithalit

16、tle.“Thisarchitecturalculturedesignswithinprinciplesofeconomyofmeansand utilization of local resources,making the most of the popularcultures-theirefficiencyandperformancearisingfromtheneed.Many of his works are of rehabilitation/extension-implosion orexplosion-intunewithitsproposaltoworkwithwhatthereis.Thenewworks are closely linked with the idea of making the best use ofresourcesthatareathand,bothnaturalandculturalandhumans.CONTEMPORARYARCHITECTUREECUADORFromthepointofviewoftheorganizationofth