1、考研英语真题及答案解析Section I Use of English Directions:Ancient Greek philosopher Aristotle viewed laughter as “a bodily exercise precious to health.” But _1_some claims to the contrary, laughing probably has little influence on physical fitness Laughter does _2_short-term changes in the function of the hear
2、t and its blood vessels, _3_ heart rate and oxygen consumption But because hard laughter is difficult to _4_, a good laugh is unlikely to have _5_ benefits the way, say, walking or jogging does._6_, instead of straining muscles to build them, as exercise does, laughter apparently accomplishes the _7
3、_, studies dating back to the 1930s indicate that laughter_8_ muscles, decreasing muscle tone for up to 45 minutes after the laugh dies down.Such bodily reaction might conceivably help _9_the effects of psychological stress. Anyway, the act of laughing probably does produce other types of _10_ feedb
4、ack, that improve an individuals emotional state. _11_one classical theory of emotion, our feelings are partially rooted _12_ physical reactions. It was argued at the end of the 19th century that humans do not cry _13_they are sad but they become sad when the tears begin to flow.Although sadness als
5、o _14_ tears, evidence suggests that emotions can flow _15_ muscular responses. In an experiment published in 1988,social psychologist Fritz Strack of the University of wrzburg in Germany asked volunteers to _16_ a pen either with their teeth-thereby creating an artificial smile or with their lips,
6、which would produce a(n) _17_ expression. Those forced to exercise their smiling muscles _18_ more exuberantly to funny cartons than did those whose mouths were contracted in a frown, _19_ that expressions may influence emotions rather than just the other way around _20_ , the physical act of laught
7、er could improve mood.1Aamong Bexcept Cdespite Dlike2Areflect Bdemand Cindicate Dproduce3Astabilizing Bboosting Cimpairing Ddetermining4Atransmit Bsustain Cevaluate Dobserve5Ameasurable Bmanageable Caffordable Drenewable6AIn turn BIn fact CIn addition DIn brief7Aopposite Bimpossible Caverage Dexpect
8、ed8Ahardens Bweakens Ctightens Drelaxes9Aaggravate Bgenerate Cmoderate Denhance10Aphysical Bmental Csubconscious Dinternal11AExcept for BAccording to CDue to DAs for12Awith Bon Cin Dat13Aunless Buntil Cif Dbecause14Aexhausts Bfollows Cprecedes Dsuppresses15Ainto Bfrom Ctowards Dbeyond16Afetch Bbite
9、Cpick Dhold17Adisappointed Bexcited Cjoyful Dindifferent18Aadapted Bcatered Cturned Dreacted19Asuggesting Brequiring Cmentioning Dsupposing20AEventually BConsequently CSimilarly DConverselySection II Reading Comprehension Part A Directions:Text 1The decision of the New York Philharmonic to hire Alan
10、 Gilbert as its next music director has been the talk of the classical-music world ever since the sudden announcement of his appointment in 2009. For the most part, the response has been favorable, to say the least. “Hooray! At last!” wrote Anthony Tommasini, a sober-sided classical-music critic.One
11、 of the reasons why the appointment came as such a surprise, however, is that Gilbert is comparatively little known. Even Tommasini, who had advocated Gilberts appointment in the Times, calls him “an unpretentious musician with no air of the formidable conductor about him.” As a description of the n
12、ext music director of an orchestra that has hitherto been led by musicians like Gustav Mahler and Pierre Boulez, that seems likely to have struck at least some Times readers as faint praise.For my part, I have no idea whether Gilbert is a great conductor or even a good one. To be sure, he performs a
13、n impressive variety of interesting compositions, but it is not necessary for me to visit Avery Fisher Hall, or anywhere else, to hear interesting orchestral music. All I have to do is to go to my CD shelf, or boot up my computer and download still more recorded music from iTunes.Devoted concertgoer
14、s who reply that recordings are no substitute for live performance are missing the point. For the time, attention, and money of the art-loving public, classical instrumentalists must compete not only with opera houses, dance troupes, theater companies, and museums, but also with the recorded perform
15、ances of the great classical musicians of the 20th century. There recordings are cheap, available everywhere, and very often much higher in artistic quality than todays live performances; moreover, they can be “consumed” at a time and place of the listeners choosing. The widespread availability of s
16、uch recordings has thus brought about a crisis in the institution of the traditional classical concert.One possible response is for classical performers to program attractive new music that is not yet available on record. Gilberts own interest in new music has been widely noted: Alex Ross, a classic
17、al-music critic, has described him as a man who is capable of turning the Philharmonic into “a markedly different, more vibrant organization.” But what will be the nature of that difference? Merely expanding the orchestras repertoire will not be enough. If Gilbert and the Philharmonic are to succeed
18、, they must first change the relationship between Americas oldest orchestra and the new audience it hops to attract.21. We learn from Para.1 that Gilberts appointment hasAincurred criticism. Braised suspicion. Creceived acclaim. Daroused curiosity.22. Tommasini regards Gilbert as an artist who isAin
19、fluential. Bmodest. Crespectable. Dtalented.23. The author believes that the devoted concertgoersAignore the expenses of live performances. Breject most kinds of recorded performances.Cexaggerate the variety of live performances. Doverestimate the value of live performances.24. According to the text
20、, which of the following is true of recordings?AThey are often inferior to live concerts in quality. BThey are easily accessible to the general public.CThey help improve the quality of music. DThey have only covered masterpieces.25. Regarding Gilberts role in revitalizing the Philharmonic, the autho
21、r feelsAdoubtful. Benthusiastic. Cconfident. Dpuzzled.Text 2When Liam McGee departed as president of Bank of America in August, his explanation was surprisingly straight up. Rather than cloaking his exit in the usual vague excuses, he came right out and said he was leaving “to pursue my goal of runn
22、ing a company.” Broadcasting his ambition was “very much my decision,” McGee says. Within two weeks, he was talking for the first time with the board of Hartford Financial Services Group, which named him CEO and chairman on September 29.McGee says leaving without a position lined up gave him time to
23、 reflect on what kind of company he wanted to run. It also sent a clear message to the outside world about his aspirations. And McGee isnt alone. In recent weeks the No.2 executives at Avon and American Express quit with the explanation that they were looking for a CEO post. As boards scrutinize suc
24、cession plans in response to shareholder pressure, executives who dont get the nod also may wish to move on. A turbulent business environment also has senior managers cautious of letting vague pronouncements cloud their reputations.As the first signs of recovery begin to take hold, deputy chiefs may
25、 be more willing to make the jump without a net. In the third quarter, CEO turnover was down 23% from a year ago as nervous boards stuck with the leaders they had, according to Liberum Research. As the economy picks up, opportunities will abound for aspiring leaders.The decision to quit a senior pos
26、ition to look for a better one is unconventional. For years executives and headhunters have adhered to the rule that the most attractive CEO candidates are the ones who must be poached. Says Korn/Ferry senior partner Dennis Carey:”I cant think of a single search Ive done where a board has not instru
27、cted me to look at sitting CEOs first.” Those who jumped without a job havent always landed in top positions quickly. Ellen Marram quit as chief of Tropicana a decade age, saying she wanted to be a CEO. It was a year before she became head of a tiny Internet-based commodities exchange. Robert Willum
28、stad left Citigroup in 2005 with ambitions to be a CEO. He finally took that post at a major financial institution three years later.Many recruiters say the old disgrace is fading for top performers. The financial crisis has made it more acceptable to be between jobs or to leave a bad one. “The trad
29、itional rule was its safer to stay where you are, but thats been fundamentally inverted,” says one headhunter. “The people whove been hurt the worst are those whove stayed too long.”26.When McGee announced his departure, his manner can best be described as beingAarrogant. Bfrank. Cself-centered. Dim
30、pulsive.27. According to Paragraph 2, senior executives quitting may be spurred byAtheir expectation of better financial status. Btheir need to reflect on their private life.Ctheir strained relations with the boards. Dtheir pursuit of new career goals.28.The word “poached” (Line 3, Paragraph 4) most probably meansAapproved of. Battended to. Chunted for . Dguarded against.29.It can be inferred from the last paragraph thatAtop performers used to cling to their posts. Bloyalty of top performers is getting out-dated.C
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