1500字英文读书笔记Word文档格式.docx

1、 When I was a middle school student, Ive finished this book in Chinese.But when I read it in English,I really gain something new both in the way of expression and the spirit it shows to us.May be different ages to read the same book we will learn different things from it.At least, for my part, that

2、is true. Firstly,I would like to review some information about this book.Such as the background,major characters and the topic of it. The Old Man and the Sea is a story by Ernest Hemingway, written in Cuba in 1951 and published in 1952. It was the last major work of fiction to be produced by Hemingw

3、ay and published in his lifetime. One of his most famous works, it centers upon Santiago, an aging Cuban fisherman who struggles with a giant marlin far out in the Gulf Stream.1 The Old Man and the Sea served to reinvigorate Hemingways literary reputation and prompted a reexamination of his entire b

4、ody of work. The novella was initially received with much popularity; it restored many readers confidence in Hemingways capability as an author. Its publisher, Scribners, on an early dust jacket, called the novella a new classic, and many critics favorably compared it with such works as William Faul

5、kners The Bear and Herman Melvilles Moby-Dick. This book gives me a deep impression especially the description about the mans braveness and persistence. In this book, in order to suggest the profundity of the old mans sacrifice and the glory that derives from it, Hemingway purposefully likens Santia

6、go to Christ, who, according to Christian theology, gave his life for the greater glory of humankind. Crucifixion imagery is the most noticeable way in which Hemingway creates the symbolic parallel between Santiago and Christ. When Santiagos palms are first cut by his fishing line, the reader cannot

7、 help but think of Christ suffering his stigmata. Later, when the sharks arrive, Hemingway portrays the old man as a crucified martyr, saying that he makes a noise similar to that of a man having nails driven through his hands. Furthermore, the image of the old man struggling up the hill with his ma

8、st across his shoulders recalls Christs march toward Calvary. Even the position in which Santiago collapses on his bedface down with his arms out straight and the palms of his hands upbrings to mind the image of Christ suffering on the cross. Hemingway employs these images in the final pages of the

9、novella in order to link Santiago to Christ, who exemplified transcendence by turning loss into gain, defeat into triumph, and even death into renewed life. The major characters in this book are also vivid and lively. Santiago ,the old man of the novellas title, Santiago is a Cuban fisherman who has

10、 had an extended run of bad luck. Despite his expertise, he has been unable to catch a fish for eighty-four days. He is humble, yet exhibits a justified pride in his abilities. His knowledge of the sea and its creatures, and of his craft, is unparalleled and helps him preserve a sense of hope regard

11、less of circumstance. The marlin ,Santiago hooks the marlin, which we learn at the end of the novella measures eighteen feet, on the first afternoon of his fishing expedition. Manolin ,a boy presumably in his adolescence, Manolin is Santiagos apprentice and devoted attendant. The old man first took

12、him out on a boat when he was merely five years old. Due to Santiagos recent bad luck, Manolins parents have forced the boy to go out on a different fishing boat. Manolin, however, still cares deeply for the old man, to whom he continues to look as a mentor. Joe DiMaggio, although DiMaggio never app

13、ears in the novel, he plays a significant role nonethel ess. Santiago worships him as a model of strength and commitment, and his thoughts turn toward DiMaggio whenever he needs to reassure himself of his own strength. Perico ,Perico, the reader assumes, owns the bodega in Santiagos village. He neve

14、r appears in the novel, but he serves an important role in the fishermans life by providing him with newspapers that report the baseball scores. This act establishes him as a kind man who helps the aging Santiago. Martin,like Perico, Martin, a caf owner in Santiagos village, does not appear in the s

15、tory. The reader learns of him through Manolin, who often goes to Martin for Santiagos supper. As the old man says, Martin is a man of frequent kindness who deserves to be repaid. From the very first paragraph, Santiago is characterized as someone struggling against defeat. He has gone eighty-four d

16、ays without catching a fishhe will soon pass his own record of eighty-seven days. Almost as a reminder of Santiagos struggle, the sail of his skiff resembles “the flag of permanent defeat.” But the old man refuses defeat at every turn: he resolves to sail out beyond the other fishermen to where the

17、biggest fish promise to be. He lands the marlin, tying his record of eighty-seven days after a brutal three-day fight, and he continues to ward off sharks from stealing his prey, even though he knows the battle is useless. Because Santiago is pitted against the creatures of the sea, some readers cho

18、ose to view the tale as a chronicle of mans battle against the natural world, but the novella is, more accurately, the story of mans place within nature. Both Santiago and the marlin display qualities of pride, honor, and bravery, and both are subject to the same eternal law: they must kill or be ki

19、lled. As Santiago reflects when he watches the weary warbler fly toward shore, where it will inevitably meet the hawk, the world is filled with predators, and no living thing can escape the inevitable struggle that will lead to its death. Santiago lives according to his own observation: “man is not

20、made for defeat . . . a man can be destroyed but not defeated.” In Hemingways portrait of the world, death is inevitable, but the best men （and animals） will nonetheless refuse to give in to its power. Accordingly, man and fish will struggle to the death, just as hungry sharks will lay waste to an o

21、ld mans trophy catch. The novel suggests that it is possible to transcend this natural law. In fact, the very inevitability of destruction creates the terms that allow a worthy man or beast to transcend it. It is precisely through the effort to battle the inevitable that a man can prove himself. Ind

22、eed, a man can prove this determination over and over through the worthiness of the opponents he chooses to face. Santiago finds the marlin worthy of a fight, just as he once found “the great negro of Cienfuegos” worthy. HSantiago, though destroyed at the end of the novella, is never defeated. Inste

23、ad, he emerges as a hero. Santiagos struggle does not enable him to change mans place in the world. Rather, it enables him to meet his most dignified destiny. While it is certainly true that Santiagos eighty-four-day run of bad luck is an affront to his pride as a masterful fisherman, and that his a

24、ttempt to bear out his skills by sailing far into the gulf waters leads to disaster, Hemingway does not condemn his protagonist for being full of pride. On the contrary, Santiago stands as proof that pride motivates men to greatness. Because the old man acknowledges that he killed the mighty marlin

25、largely out of pride, and because his capture of the marlin leads in turn to his heroic transcendence of defeat, pride becomes the source of Santiagos greatest strength. Without a ferocious sense of pride, that battle would never have been fought, or more likely, it would have been abandoned before

26、the end. Santiagos pride also motivates his desire to transcend the destructive forces of nature. Throughout the novel, no matter how baleful his circumstances become, the old man exhibits an unflagging de termination to catch the marlin and bring it to shore. When the first shark arrives, Santiagos

27、 resolve is mentioned twice in the space of just a few paragraphs. Even if the old man had returned with the marlin intact, his moment of glory, like the marlins meat, would have been short-lived. The glory and honor Santiago accrues comes not from his battle itself but from his pride and determinat

28、ion to fight. Santiago dreams his pleasant dream of the lions at play on the beaches of Africa three times. The first time is the night before he departs on his three-day fishing expedition, the second occurs when he sleeps on the boat for a few hours in the middle of his struggle with the marlin, a

29、nd the third takes place at the very end of the book. In fact, the sober promise of the triumph and regeneration with which the novella closes is supported by the final image of the lions. Because Santiago associates the lions with his youth, the dream suggests the circular nature of life. Additiona

30、lly, because Santiago imagines the lions, fierce predators, playing, his dream suggests a harmony between the opposing forceslife and death, love and hate, destruction and regenerationof nature. This book gives me courage of ering all kinds of difficulties .And I have the belief that the most beauti

31、ful thing is the process that we make our best to achieve our dream,and never say give up . 篇二：英语小说读书笔记 Books and Novels 篇三：英文读书笔记 英文读书笔记英文读书笔记 The Old Man And The Sea 老人与海 The Old Man and the Sea is one of Hemingways most enduring works.Told in language of great simplicity and power,it is the story

32、 of an old Cuban fisherman,down on his luck,and his supreme ordeala relentless,agonizing battle with a giant marlin far out in the Gulf Stream.Here Hemingway recasts,in strikingly contemporary style,the classic thene of courage in the face of defeat,of personal triumph won from los.Written in 1952,this hugely successfully novella confirmed his power and presence in the literary world and played a huge part in his winning the 1954 Nobel Prize for L