山东省淄博市高考英语 阅读类系列5Word格式文档下载.docx

1、由3空后的their son判断，此处应填parents，父母。3A.presented BannoyedCconfused DoccupiedA。我给了他们儿子一瓶浆糊和一些图片。present.with.送给某人某物；annoy使烦恼；confuse.with.把和混淆；occupy占据。4A.entering BdividingCsticking DdrawingC。他没有把图片贴进书里，而把图片贴的满屋都是。enter进入；divide分开；stick粘贴；draw画。5A.anyhow BthoughCagain Dtherefore根据上下文的意思，此处表示因果关系。therefo

2、re所以，符合题意。anyhow不管什么；though尽管。 6A.guess BchooseCpay Dsee上文提到的礼物，侄子都不满意，所以这次决定叫他自己选择。7A.sweets BtoysCclothes Dbooks由下文的toy after toy可知，此处填toy。be particular about对挑剔。8A.pleased BdisturbedCaccepted Ddisappointed尽管看了一个又一个玩具，但他都不满意。pleased满意的，高兴的；disturbed不安的，心理不正常的；accept接受；disappointed失望的。9A.surprised

3、BhopefulCpatient Dexcited从下文中我们知道，Tony看到了他喜欢的东西，故他很兴奋。surprised惊讶的；hopeful有希望的；patient耐心的；excited兴奋的。10A.after BuntilCunless Dsince看到侄子高兴，自己也高兴，但是想到他母亲的话后，自己不再高兴。也就是高兴到自己想到Tony妈妈说的话为止。11A.shock BtroubleCpeace Dtime因为侄子看到的是“鼓”，一但敲起鼓来，人们会不得安宁。shock震惊；trouble麻烦；peace和平，安静，安宁；time时间。12A.happily Beagerly

4、Ccautiously Dquickly想到这一切，我赶紧带侄子走开。happily高兴地；eagerly急切地；cautiously小心地；quickly快地。13A.on his own Bin his wayCnow and then Dmore or less由下文的“我趁此机会坐下歇歇脚”可知，Tony要求单独离开。on ones own独自地，单独地；in ones way挡道；now and then不时；more or less或多或少。14A.drag BrestClay Dstepdrag拖；rest休息，使休息；lay放；step走。坐下歇歇脚，故B项正确。15A.ash

5、amed BangryCworried Ddoubtful因为15分钟后仍不见侄子的踪影，所以我焦急起来。ashamed害羞的；angry生气的；worried担心的，焦急的；doubtful怀疑的。16A.about BtoCat Dacross她向四周看了看，有那么多穿灰色衣服的孩子。look about/around环顾；look at看。17A.young ladies Bnew customersCloving parents Dsmall boys由上文的a little boy in a grey suit可知，此处填small boys。18A.figure BactorCma

6、n Ddoll由下文可知，穿奇特的桔黄色衣服的人是我侄子，所以此处不能用actor演员，man男人，doll布娃娃。而figure意为“人物，人形，人影”，符合题意。19A.on time Bat onceCjust now Donce again看侄子的打扮，我马上就知道了他是第一个飞向太空的穴居人。on time准时；at once立刻，马上；just now刚才；once again又一次，再一次。20A.policeman BspacemanCcaveman Dpostman由上文的a cavemans axe中的caveman可知，此处C项正确。【渝东七校名校联盟】第一节短文改错（共

7、10小题；每小题1分，满分10分）此题要求改正所给短文的错误。对标有题号的每一行作出判断：如无错误，在该行右边横线上画一个勾（）；如有错误（每行只有一个错误），则按下列情况改正：该行多一个词：把多余的词用斜线（）划掉；在该行右边横线上写出该词，并也用斜线划掉；该行缺一个词：在缺词处加一个漏字符号（）；在该行右边横线上写出该加的词；该行错一个词，在错的词下划一个横线；在该行右边横线上写出改正后的词。注意：原行没有错的不要改。In my hometown there used to be a temple with a 76. _history of over eight hundred year

8、s. It lies in a 77. _valley with green hills around it. It was such beautiful78. _and famous that many tourists came visit it every 79. _day. They took photo; they wrote down their names on80. _the walls, they were brought food and drink and left rubbish81. _everywhere. One day some toursts did a fi

9、re to cook82. _food near the temple. All of sudden, a strong wind83. _blew. The wooden temple caught fire. Soon the wholly84. _temple was burned out and only a little walls remained.85. _The beautiful temple disappeared.参考答案76. to后加 be 77. lies-lay 78. such so 79. came后加to 80. photo-photos 81.去掉were

10、 82. did-made 83. of后加a 84. wholly-whole 85. little-few*结束1Photos that you might have found down the back of your sofa are now big business! In 2005, the American artist Richard Princes photograph of a photograph, Untitled （Cowboy）, was sold for $ 1, 248, 000. Prince is certainly not the only contem

11、porary artist to have worked with so-called “found photographs”a loose term given to everything from discarded（丢弃的） prints discovered in a junk shop to old advertisements or amateur photographs from a strangers family album. The German artist Joachim Schmid, who believes “basically everything is wor

12、th looking at”, has gathered discarded photographs, postcards and newspaper images since 1982. In his on-going project, Archiv, he groups photographs of family life according to themes: people with dogs; teams; new cars; dinner with the family; and so on. Like Schmid, the editors of several self-pub

13、lished art magazines also champion （捍卫） found photographs. One of them, called simply Found, was born one snowy night in Chicago, when Davy Rothbard returned to his car to find under his wiper（雨刷） an angry note intended for some else: “Whys your car HERE at HER place?” The note became the starting p

14、oint for Rothbards addictive publication, which features found photographs sent in by readers, such a poster discovered in our drawer. The whole found-photograph phenomenon has raised some questions. Perhaps one of the most difficult is: can these images really be considered as art? And if so, whose

15、 art? Yet found photographs produced by artists, such Richard Prince, may riding his horse hurriedly to meet someone? Or how did Prince create this photograph? Its anyones guess. In addition, as we imagine the back-story to the people in the found photographs artists, like Schmid, have collated （整理）

16、, we also turn toward our own photographic albums. Why is memory so important to us? Why do we all seek to freeze in time the faces of our children, our parents, our lovers, and ourselves? Will they mean anything to anyone after weve gone?64. The first paragraph of the passage is used to _. A. remin

17、d readers of found photographs B. advise reader to start a new kind of business C. ask readers to find photographs behind sofa D. show readers the value of found photographs 65. According to the passage, Joachim Schmid _. A. is fond of collecting family life photographs B. found a complaining not un

18、der his car wiper C. is working for several self-published magazines D. wondered at the artistic nature of found photographs66. The underlined word “them” in Para 4 refers to _. A. the readers B. the editors C. the found photographs D. the self-published magazines 67. By asking a series of questions

19、 in Para 5, the author mainly intends to indicate that _. A. memory of the past is very important to people B. found photographs allow people to think freely C. the back-story of found photographs is puzzling D. the real value of found photographs is questionable 68. The authors attitude towards fou

20、nd photographs can be described as _. A. critical B. doubtful C. optimistic D. satisfied 1答案 64.D 65.A 66.D 67.B 68.C*结束 For years, there has been a bias（偏见）against science among clinical psychologists. In a two-year analysis to be published in November in Perspectives on Psychological Science, psyc

21、hologists led by Timothy B. Baker of the University of Wisconsin charge that many clinical psychologists fail to “provide the treatments for which there is the strongest evidence of effectiveness” and “give more weight to their personal experiences than to science.” As a result, patients have no gua

22、rantee that their “treatment will be informed by science.” Walter Mischel of Columbia University is even crueler in his judgment. “The disconnect between what clinical psychologists do and what science has discovered is an extreme embarrassment,” he told me, and “there is a widening gap between clin

23、ical practice and science.” The “widening” reflects the great progress that psychological research has made in identifying the most effective treatments. Thanks to strict clinical trials, we now know that teaching patients to think about their thoughts in new, healthier ways and to act on those new

24、ways of thinking are effective against depression, panic disorder and other problems, with multiple trials showing that these treatmentsthe tools of psychologybring more lasting benefits than drugs. You wouldnt know this if you sought help from a typical clinical psychologist. Although many treatments are effective, relatively few psychologists learn or practice them. Why in the world not? For one thing, says Baker, clinical psychologists are “very doubtful about the role of science” and “lack solid science training”. Also,