带着镣铐跳舞浅谈许渊冲古诗文翻译三美论英语论文.docx

1、带着镣铐跳舞浅谈许渊冲古诗文翻译三美论英语论文XXXX大学本科毕业论文（设计）任务书编 号： 论文（设计）题目： “带着镣铐跳舞”-浅谈许渊冲古诗文翻译“三美论”学院： XXXX学院 专业： 机译 班级： XXX机译班 学生姓名： XXX 学号： XXXX 指导教师： XXX 职称：副教授 1、 论文（设计）研究目标及主要任务本论文的研究目标是分析许渊冲先生的古典诗歌翻译“三美论”。其主要任务是通过分析“三美论”的理论意义和实践应用，肯定许先生该理论的重要意义和其背后折射的文化观。2、论文（设计）的主要内容 本论文分为四章，第一章介绍中外诗歌的基本特点，第二章介绍许渊冲先生和他的翻译理论，第三

2、章分析了“三美论”在两篇诗歌译文中的实际应用，最后一章分析了该理论背后折射的文化观和对后继译者的要求。3、论文（设计）的基础条件及研究路线 本论文的基础条件是许先生的译文和不同学者对“三美论”的研究结果。研究路线是首先介绍中外诗歌特点和翻译理论，然后详细分析许渊冲先生的诗歌翻译中“三美论”的实际应用肯定了该理论的重要意义。4、主要参考文献Bassnett, Susan and Andre Lefevere. 2001. Constructing CultureM. Shanghai: Shanghai Foreign Language Education Press. Bock, Philip

3、.1979. Modern Cultural AnthropologyM. New York: Alfred A.knopf.Nida,Eugue 2002. A. Language and Culture: Contexts in TranslatingM. Shanghai: Shanghai Foreign Language Education Press.许渊冲，1994，中国古诗词六百首M， 北京:新世界出版社。许渊冲，1992，中诗英韵探胜：从到（英文版）M，北京：北京大学出版社。5、计划进度阶段起止日期1确定初步论文题目3月16日前2与导师见面，确定大致范围，填开题报告和任务书，

4、导师签字3月17日-3月23日3提交论文提纲3月24日-3月30日4交初稿和文献综述3月31日-4月20日5交终稿和评议书4月21日-5月8日指 导 教师： 年 月 日教研室主任： 年 月 日注：一式三份，学院（系）、指导教师、学生各一份 XXXX大学本科生毕业论文（设计）开题报告书 XXX 学院 机译 专业 XXXX 届学生姓名XXX论文（设计）题目“带着镣铐跳舞”-浅谈许渊冲古诗文翻译“三美论”指导教师XXX专业职称副教授 所属教研室翻译教研室研究方向 口译课题论证：通过分析许渊冲先生的古典诗歌翻译“三美论”的理论意义和实践应用，肯 定许先生该理论的重要意义并分析了其背后折射的文化观。 方

5、案设计：第一章介绍中外诗歌的基本特点， 第二章介绍许渊冲先生和他的翻译理论， 第三章分析了“三美论”在两篇诗歌译文中的实际应用， 第四章分析了该理论背后折射的文化观和对后继译者的要求。进度计划：3月16日前确定初步论文题目 3月23日前写开题报告、任务书3月30日前提交论文提纲4月20日前提交初稿和文献综述5月8日前交终稿和评议书指导教师意见： 指导教师签名： 年 月 日教研室意见： 教研室主任签名： 年 月 日河北师范大学本科生毕业论文（设计）评议书姓 名XXX学院XXX学院专业机译年级（班）XXXX级机译班论 文 题 目“带着镣铐跳舞”-浅谈许渊冲古诗文翻译“三美论”完成时间XXXX/4/

6、20论文内容摘要中国古典诗歌是中华文化宝库的一颗明珠。一直以来，全世界的学者们都在从事着中国古典诗歌的翻译。相比之下，诗歌翻译具有艺术性和含蓄性的特点。英语和汉语属于不同的语族, 而且不同的国家有着不同的文化及语言背景，因此中国的古典诗歌翻译非常困难。许渊冲教授在中国诗歌翻译方面做出了突出的贡献，他提出了诗歌翻译的“三美”原则“音美”、“意美”和“形美”。本文系统地总结了“三美”原则及“三美”原则的实际运用,通过客观的分析，发现“三美”原则的理论价值及其实践意义。许教授的高超的技艺是值得借鉴和学习的，他在诗歌翻译方面的有益尝试对中国文学翻译的进一步发展有着积极的影响。 指导教师评语 年 月 日

7、指 导 教 师职称初评成绩 答辩小组姓名职称教研室组长成员答辩记录： 记录人签字： 年 月 日答辩小组意见： 组长签字： 年 月 日学院意见： 评定成绩： 签章 年 月 日XXXX大学本科生毕业论文（设计）文献综述Literature Review As a widely used literature form, poetry has the reasons for its long existence and popularity and different countries have different culture and people of different countries

8、 have different understandings of poetry, so the poetry in different countries is very different. We all know that the Chinese classic poetry is a gem of Chinese culture treasure. For a long time, many scholars around the word have been engaging in translating the Chinese classical poetry into other

9、 languages, especially English. While everyone has his own understanding of translation, so there are many different criteria in poetry translation. For example, the famous translator Yan Fu put forward the theory of Faithfulness, Expressiveness and Elegance in 1951, Mr. Fu Lei put forward the Vivid

10、 Theory, Qian Zhongshu put forward Transmigration Theory in 1964 and Alexander Fraser Tytler wrote three basic principles in his book Essay on the Principles of Translation. Among the many distinguished translators, Xu Yuanchong is very famous because he put forward some quite useful theories in poe

11、try translation, such as the Three Beauties, Three Transformations and so on. Although highly prized by many scholars and warmly welcomed by a large number of readers, Xus translations also suffer bitter attacks and criticisms by some people, which is not helpful to the spread of the great “Three Be

12、auties Theory”, nor to the development of the Chinese classic poetry translation. This thesis focuses on the essence of Professor Xu Yuanchongs “Three Beauties Theory”, the application of this theory as well as the reason behind its widely acceptance in order to give a fair judgment to the “Three Be

13、auties Theory”. Many foreign scholars have put their efforts on Xu Yuanchongs “Three Beauties Theory” and put forward their own opinions which we can see in the references, such as Constructing CultureM written by Bassnett, Susan and Andre Lefevere, The Theory and Practice of TranslationM written by

14、 Nida, E. A. and Charles R. Taber, Ten Lectures on Literary Translation M written by Liu Zhongde, Five Lectures On Chinese PoetryM written by Lu Zhiwei and so on.There are a lot of Chinese researchers who also worked on Mr. Xu Yuanchongs “Three Beauties Theory”, such as the famous translators Qian Z

15、hongshu, Wang Zuoliang and so on, some of them are supporters while others are not. This kind of references are as follows:许渊冲的诗译三美说Jof 李溢，“左右逢源,炉火纯青-许渊冲先生古诗英译关键技法初探J” written by 张智中 in 太原理工大学学报,“评许渊冲先生的四首韵译唐诗J” written by 林庆扬 in 长春师范学院学报。As a supporter of Mr. Xu Yuanchong, the great master of art-P

16、rofessor Qian Zhongshu calls Xu“ wizard in the realm of translation” and says:“ translating two forms of literature-poetry and lyrics into two languages-English and French just like the warrior with two guns working alone two lines(译著兼诗词两体制，英法两语种，如十八般武艺之有双枪将，左右开弓手矣)”After reading Xus translation of

17、Mao Zedongs poems, Professor Qian wrote Xu a letter, in which he writes that“ Many thanks for showing me your highly accomplished translation. I have just finished reading it and marvel at the supple ease with you dance in the clogs and fetters of rhyme and meter. Your views on verse translation are

18、 very pertinent.” While Xus theories also gain a lot of criticisms and disputes. Liu Yingkai, a professor from Shenzhen University challenges Xus theory of “preservation of beauty in sound and form” and thinks it needs deliberating. And Professor Wang Zuoliang is one of the translators who have heat

19、ed debated with Xu upon metrical translation. Although Professor Xu Yuanchong has got brilliant achievements and a high reputation in the field of professional translation, the statement that translated version should compete with the original version which he put forward, received much more opposit

20、ion rather than agreement among translators, and was more partially accepted rather than fully used. (李谧，2004) This thesis is mainly divided into four chapters. Chapter One mainly tells the features of both Chinese and foreign poetry; Chapter Two mainly describe Professor Xu Yuanchong and his theori

21、es; Chapter Three mainly shows the examples for the application of the Three Beauties Principle; Chapter Four mainly focuses on the culture outlook embodied in the Three Beauties Principle. Mr. Xus theories enrich the translation theories of the Chinese school and they are just likes a huge treasure

22、 house to be explored, so it is necessary to highly praise them in order to let foreigners have some knowledge of the beautiful Chinese culture and custom in Chinese ancient times. This thesis only opens the door of this house and the countless gems are sparking inside. There is still a lot to be pr

23、obed and explored. 本科生毕业论文设计题目“带着镣铐跳舞”-浅谈许渊冲古诗 文翻译“三美论” 作者姓名 XXXX 指导教师 XXX 所在学院 XXX学院 专业（系） 机器翻译 班级（届） XXX机译班 完成日期 XXX 年 04 月 20日“Dance with the Fetters”-A Preliminary Study of The Three Beauties Principle in Chinese Classic Poetry Translation BY XXXX Prof. XXX， Tutor A Thesis Submitted to Departmen

24、t of English Language and Literature in Partial Fulfillment of the Requirements for the Degree of B.A. in English At XXXXUniversity April 20th, XXX摘 要中国古典诗歌是中华文化宝库的一颗明珠。一直以来，全世界的学者们都在从事着中国古典诗歌的翻译。相比之下，诗歌翻译具有艺术性和含蓄性的特点。英语和汉语属于不同的语族, 而且不同的国家有着不同的文化及语言背景，因此中国的古典诗歌翻译非常困难。许渊冲教授在中国诗歌翻译方面做出了突出的贡献，他提出了诗歌翻译的

25、“三美”原则“音美”、“意美”和“形美”。本文系统地总结了“三美”原则及“三美”原则的实际运用,通过客观的分析，发现“三美”原则的理论价值及其实践意义。许教授的高超的技艺是值得借鉴和学习的，他在诗歌翻译方面的有益尝试对中国文学翻译的进一步发展有着积极的影响。关键词 许渊冲 中国古典诗歌翻译 三美原则Abstract Chinese classic poetry is a gem of Chinese culture treasure. For a long time, many scholars around the word have been engaged in translating

26、the Chinese classical poetry. Poetry translation has the characteristics of artistry and subtlety as compared to other translations. The English and Chinese languages belong to different language families, and there exists different cultural and linguistic backgrounds, so the translation of Chinese

27、classic poetry is quite difficult. Professor Xu Yuanchong made great contribution to the poetry translation and put forward “three beauties” principle - “beauty in sound, beauty in sense and beauty in form”on poetry translation. The author of this thesis summarizes systematically Xu Yuanchongs “thre

28、e beauties”on poetry translation and the practice of this principle to find its theoretical value and its practical significance through objective analysis. His consummate skill is worth learning from and taking as reference. His useful attempts on poetry translation are beneficial for the further d

29、evelopment of Chinese literary translation. Key words Xu Yuanchong Chinese classic poetry translation Three Beauties PrincipleTable of Contents Introduction 1Chapter One Introduction of the features of both Chinese and foreign poetry 31.1 Features of the Chinese classic poetry 31.2 Features of the f

30、oreign poetry 4Chapter Two Introduction of Xu Yuanchong and his translation theories 52.1 Brief introduction of Xu Yuanchong 52.2 Xus translation theories 52.2.1 Three Beauties 62.2.1.1 Beauty in Sense 62.2.1.2 Beauty in Sound and Form 62.2.2 Other Three Theories 6Chapter Three Practical use of the

31、Three Beauties Principle in Chinese classic poetry 83.1 Analysis of the Three Beauties Principle used in“枫桥夜泊” 83.2 Analysis of the Three Beauties Principle used in“静夜思” 12Chapter Four The culture outlook embodied in the Three Beauties Principle 14 4.1 Analysis of the reasons behind its wide acceptance 144.2 The higher requirements the Three Beauties Theories call for translators 14Conclusion 15