TED英语演讲在生命的尽头你想要什么.docx

1、TED英语演讲在生命的尽头你想要什么TED英语演讲：在生命的尽头你想要什么在生命的终点，我们最渴望的是什么?对许多人而言，只是很简单的舒适、尊重和爱。BJ*米勒是个安宁疗护医生，他深入思考如何为他的病患创造有尊严、优雅的生命终点。请花点时间品尝这场动人的谈话，裡面探讨了我们如何思考死亡和为人生增光的重要议题。下面是小编为大家收集关于TED英语演讲：在生命的尽头你想要什么，欢迎借鉴参考。英文演讲稿Well, we all need a reason to wake up. For me, it just took 11,000 volts.I know youre too polite to a

2、sk, so I will tell you.One night, sophomore year of college, just back from Thanksgiving holiday, a few of my friends and I were horsing around, and we decided to climb atop a parked commuter train. It was just sitting there, with the wires that run overhead. Somehow, that seemed like a great idea a

3、t the time. Wed certainly done stupider things. I scurried up the ladder on the back, and when I stood up, the electrical current entered my arm, blew down and out my feet, and that was that. Would you believe that watch still works? Takes a licking!My father wears it now in solidarity.That night be

4、gan my formal relationship with death - my death - and it also began my long run as a patient. Its a good word. It means one who suffers. So I guess were all patients.Now, the American health care system has more than its fair share of dysfunction - to match its brilliance, to be sure. Im a physicia

5、n now, a hospice and palliative medicine doc, so Ive seen care from both sides. And believe me: almost everyone who goes into healthcare really means well - I mean, truly. But we who work in it are also unwitting agents for a system that too often does not serve.Why? Well, theres actually a pretty e

6、asy answer to that question, and it explains a lot: because healthcare was designed with diseases, not people, at its center. Which is to say, of course, it was badly designed. And nowhere are the effects of bad design more heartbreaking or the opportunity for good design more compelling than at the

7、 end of life, where things are so distilled and concentrated. There are no do-overs.My purpose today is to reach out across disciplines and invite design thinking into this big conversation. That is, to bring intention and creativity to the experience of dying. We have a monumental opportunity in fr

8、ont of us, before one of the few universal issues as individuals as well as a civil society: to rethink and redesign how it is we die.So lets begin at the end. For most people, the scariest thing about death isnt being dead, its dying, suffering. Its a key distinction. To get underneath this, it can

9、 be very helpful to tease out suffering which is necessary as it is, from suffering we can change. The former is a natural, essential part of life, part of the deal, and to this we are called to make space, adjust, grow. It can be really good to realize forces larger than ourselves. They bring propo

10、rtionality, like a cosmic right-sizing. After my limbs were gone, that loss, for example, became fact, fixed - necessarily part of my life, and I learned that I could no more reject this fact than reject myself. It took me a while, but I learned it eventually. Now, another great thing about necessar

11、y suffering is that it is the very thing that unites caregiver and care receiver - human beings. This, we are finally realizing, is where healing happens. Yes, compassion - literally, as we learned yesterday - suffering together.Now, on the systems side, on the other hand, so much of the suffering i

12、s unnecessary, invented. It serves no good purpose. But the good news is, since this brand of suffering is made up, well, we can change it. How we die is indeed something we can affect. Making the system sensitive to this fundamental distinction between necessary and unnecessary suffering gives us o

13、ur first of three design cues for the day. After all, our role as caregivers, as people who care, is to relieve suffering - not add to the pile.True to the tenets of palliative care, I function as something of a reflective advocate, as much as prescribing physician. Quick aside: palliative care - a

14、very important field but poorly understood - while it includes, it is not limited to end of life care. It is not limited to hospice. Its simply about comfort and living well at any stage. So please know that you dont have to be dying anytime soon to benefit from palliative care.Now, let me introduce

15、 you to Frank. Sort of makes this point. Ive been seeing Frank now for years. Hes living with advancing prostate cancer on top of long-standing HIV. We work on his bone pain and his fatigue, but most of the time we spend thinking out loud together about his life - really, about our lives. In this wa

16、y, Frank grieves. In this way, he keeps up with his losses as they roll in, so that hes ready to take in the next moment. Loss is one thing, but regret, quite another. Frank has always been an adventurer - he looks like something out of a Norman Rockwell painting - and no fan of regret. So it wasnt

17、surprising when he came into clinic one day, saying he wanted to raft down the Colorado River. Was this a good idea? With all the risks to his safety and his health, some would say no. Many did, but he went for it, while he still could. It was a glorious, marvelous trip: freezing water, blistering d

18、ry heat, scorpions, snakes, wildlife howling off the flaming walls of the Grand Canyon - all the glorious side of the world beyond our control. Franks decision, while maybe dramatic, is exactly the kind so many of us would make, if we only had the support to figure out what is best for ourselves ove

19、r time.So much of what were talking about today is a shift in perspective. After my accident, when I went back to college, I changed my major to art history. Studying visual art, I figured Id learn something about how to see - a really potent lesson for a kid who couldnt change so much of what he wa

20、s seeing. Perspective, that kind of alchemy we humans get to play with, turning anguish into a flower.Flash forward: now I work at an amazing place in San Francisco called the Zen Hospice Project, where we have a little ritual that helps with this shift in perspective. When one of our residents dies

21、, the mortuary men come, and as were wheeling the body out through the garden, heading for the gate, we pause. Anyone who wants - fellow residents, family, nurses, volunteers, the hearse drivers too, now - shares a story or a song or silence, as we sprinkle the body with flower petals. It takes a fe

22、w minutes; its a sweet, simple parting image to usher in grief with warmth, rather than repugnance. Contrast that with the typical experience in the hospital setting, much like this - floodlit room lined with tubes and beeping machines and blinking lights that dont stop even when the patients life h

23、as. Cleaning crew swoops in, the bodys whisked away, and it all feels as though that person had never really existed. Well-intended, of course, in the name of sterility, but hospitals tend to assault our senses, and the most we might hope for within those walls is numbness - anesthetic, literally th

24、e opposite of aesthetic. I revere hospitals for what they can do; I am alive because of them. But we ask too much of our hospitals. They are places for acute trauma and treatable illness. They are no place to live and die; thats not what they were designed for.Now mind you - I am not giving up on th

25、e notion that our institutions can become more humane. Beauty can be found anywhere. I spent a few months in a burn unit at St. Barnabas Hospital in Livingston, New Jersey, where I got really great care at every turn, including good palliative care for my pain. And one night, it began to snow outsid

26、e. I remember my nurses complaining about driving through it. And there was no window in my room, but it was great to just imagine it coming down all sticky. Next day, one of my nurses smuggled in a snowball for me. She brought it in to the unit. I cannot tell you the rapture I felt holding that in

27、my hand, and the coldness dripping onto my burning skin; the miracle of it all, the fascination as I watched it melt and turn into water. In that moment, just being any part of this planet in this universe mattered more to me than whether I lived or died. That little snowball packed all the inspirat

28、ion I needed to both try to live and be OK if I did not. In a hospital, thats a stolen moment.In my work over the years, Ive known many people who were ready to go, ready to die. Not because they had found some final peace or transcendence, but because they were so repulsed by what their lives had b

29、ecome - in a word, cut off, or ugly. There are already record numbers of us living with chronic and terminal illness, and into ever older age. And we are nowhere near ready or prepared for this silver tsunami. We need an infrastructure dynamic enough to handle these seismic shifts in our population.

30、 Now is the time to create something new, something vital. I know we can because we have to. The alternative is just unacceptable. And the key ingredients are known: policy, education and training, systems, bricks and mortar. We have tons of input for designers of all stripes to work with.We know, f

31、or example, from research whats most important to people who are closer to death: comfort; feeling unburdened and unburdening to those they love; existential peace; and a sense of wonderment and spirituality.Over Zen Hospices nearly 30 years, weve learned much more from our residents in subtle detai

32、l. Little things arent so little. Take Janette. She finds it harder to breathe one day to the next due to ALS. Well, guess what? She wants to start smoking again - and French cigarettes, if you please. Not out of some self-destructive bent, but to feel her lungs filled while she has them. Priorities change. Or Kate - she just wants to know her dog Austin is lying at the foot of her bed, his cold muzzle against her dry skin, instead of more chemotherapy coursing through her veins - shes done that. Sensuous, aesthetic gratification, where in a moment, in