《芒果街上的小屋》中的女性形象.docx

1、芒果街上的小屋中的女性形象芒果街上的小屋中的女性形象 乐 山 师 范 学 院学 士 学 位 论 文 On the Female Images in The House on Mango Street浅析芒果街上的小屋中的女性形象作 者 胡 丽 完成日期2013年 4月 27日 指导教师 车 欢 欢 职称 讲 师 院 别 外国语学院 专业 英 语 班 级 2009级 1 班 学号 09280115 二一三 年 四 月 二十七 日Acknowledgments I gratefully acknowledge the following people who have helped me in v

2、arious ways in this graduation paper. Firstly, I want to show my sincere appreciation to my supervisor Miss Che, she spent a lot of time and shows her great concern to my paper. Miss Che inspired me to create new idea, perfected my writing style and corrects my errors in my creation with her profoun

3、d knowledge. Secondly, Id like to express my thanks to all teachers who have taught me during my studies for the degree of Bachelor of Arts in Leshan Teachers College, for their instructive and insightful lectures and their general supports in writing the present paper.Thirdly, I want to show my gra

4、titude to my parents and classmates, they encouraged me a lot in this graduation paper. Without them, I can not finish it successfully. So thanks again. AbstractThe House on Mango Street is a novel by Mexican-American female writer Sandra Cisneros. From the perspective of the heroine Esperanza, the

5、book records the growth of her in the form of monologue. It also reflexes the suffering of the heroine and the females on mango street from sexism, racialism and patriarchy. By analyzing the typical female images, this paper aims to express the feminism the author intends to convey, to introspect th

6、e traditional value of Mexican females and to advocate females real independence. This paper comprises three parts. The first consists of two points. The first one is a brief introduction to feminism theory, and the second one on research background, brief analysis of current research achievements c

7、oncerning this book. The second part is introduction, comparison, and analysis of the typical female characters in this book, for example, heroines mother and aunt, who are the La Virgen de Guadulupe type representing traditional female image in Mexican culture, and La Malinche type like Marlyn and

8、Sally. The third part mainly analyzes life experience of Esperanza, then highlights new women images and due value, outlook on life for new women through her several awakenings.Key words: The House on Mango Street; Ethnic women; female image; value摘 要芒果街上的小屋是美国墨西哥裔女性作家桑德拉希斯内罗丝的成名作，书中通过主人公小女孩埃斯佩朗莎科尔德

9、罗的视角，用日记样的独白记录下了她自身的成长。反映了女人公及整个芒果街的族裔女性饱受性别、种族、父权等迫害的生活状态。本文将重点从女性主义的角度，通过分析文中出现的典型女性形象，尤其是女主人公埃斯佩朗莎的成长经历，由此指出女主人公是区别于传统墨西哥瓜达卢佩圣母型和马琳齐型的新女性，揭示作者想表达的女性主义思想，反思传统墨西哥女性的价值观，提倡女性真正的独立自主，文章首先是对女性主义理论进行简要介绍，阐述其含义和意义。接着对书中的典型女性形象进行介绍、比较和分析，分别是代表传统墨西哥文化中瓜达卢佩圣母型的文中主人公的母亲和姨母，马琳齐型的马琳和莎莉，最后将重点解析女主人公埃斯佩朗莎的成长经历，通

10、过她的几个觉醒来凸显新女性形象，和新女性应有的价值观人生观。关键词：芒果街上的小屋；族裔女性 ；女性形象 ；价值观 ContentsIntroduction Sandra Cisneros is one of the most significant Mexican-American female writer. She has a lot of works and she was firstly well-known for The House on Mango Street, which, once published, became a sensation that arousing f

11、ierce debate and echo in the 20th centurys American intellectual circle that attached great importance to ethnical problems. As a chicana writer, Her writing was greatly influenced by her unique background. She was born in Mexico but grew up in America. And not only that, she was the only daughter o

12、f a family which has six brothers. Living in such a family often made her feel isolated and lonely. In addition, just like the heroine in The House on Mango Street, Cisneros family always keeping moving their house. And the constant migration of her family between Mexico and the USA instilled in her

13、 the sense of “always straddling two countries . but not belonging to either culture.” (Doyle, 1996: 54) Therefore, she urgently hoped that they could be able to put an end to poverty and have a permanent and stable house of their own. Then, Her family made a down-payment on their own home in Humbol

14、dt Park, a predominantly Puerto Rican neighbourhood of Chicago when she was eleven years old. (Ganz, 1994: 22) The experience there provided much inspiration to her creation, especially The House on Mango Street. With the help of government fund, she went to the college. And then because of her gift

15、 on writing, she was recommended into the graduate writing class in the famous international university of Iowa. After her graduation, she did many jobs,such as:high school teacher, college counselor. During this period, she met many ethnic students and all those experience,not only hers, but also t

16、he stories around her, has been the materials of her creation. The House on Mango Street is a coming-of-age work by Mexican-American female writer Sandra Cisneros. The whole novel is composed of forty-four vignettes that are not quite poems and not quite full stories. It was firstly published in 198

17、4, After its publishing, it aroused grave disputes, and was valued by intellectual circles of the US in the atmosphere of caring about Ethnic problems. As for the content of the book. Its through the narration of the heroine Esperanza to tell. Esperanza, the heroine, an adolescent latina girl, the w

18、hole book records the growth of her in the form of monologue. And during this process, reflexes the suffering of the heroine and the females on mango street from sexism, racialism and patriarchy. This paper aims to do a simple study of the female images in this book. And then try to express the femi

19、nism the author intends to convey, to introspect the traditional value of Mexican females and to advocate females real independence.1. Theoretical Framework1.1 A Brief Introduction to Feminism Feminism,the belief in the social, economic, and politicalequalityof the sexes. That is to say, women and m

20、en are equal. They have the same rights in working, education and some other things. Although largely originating in the West, feminism is manifested worldwide and is represented by various institutions committed to activity on behalf ofwomens rightsand interests. ( Britannica, 2013)1.2 Relevant Res

21、earchThe House on Mango Street is a coming-of-age work by Mexican-American female writer Sandra Cisneros. It was firstly published in 1984. After its publishing, it aroused grave disputes, and was valued by intellectual circles of the US in the atmosphere of caring about Ethnic problems. Many schola

22、rs have done lots of research on it. In general, Sun Aiping (2008) has concluded the critical study on the book can be list from the following perspective: studying the book as a coming-of-age work; exploring the female identity and constructing a new self; locating the Mango Street in its cross-cul

23、tural context; approaching Mango street in a broad ethinic womens thematic; touching upon the postmodern writing of Mango Street especially its genre issue. We can find that these five perspectives are on the form only or the books formalistic study.My study is on the female images of The House on M

24、ango Street, but the perspective is feminism. The paper explores the Female Images in The House on Mango Street according to do research and contrast to the typical characters in the book. Chapter two focuses on the the study of the four figures, Mum, Aunt Lupe, Marin and Sally. Mum and Aunt Lupe in

25、 book just can represent the traditional women image “La Virgen de Guadulupe” in Mexican culture. Through the introduction of these two characters, and to find out the similarities between them. And the most important is to conclude the two figures characteristic. And the other two characters in boo

26、k, they are Marin and Sally. They represent the other one typical female image in mexican culture, “La Malinche”, which is totally opposite to the “La Virgen de Guadulupe”. Similarly, firstly introduce the two characters, then to sum up the similarities and the remarkable characteristics of those tw

27、o figures. Chapter three analyzes the heroine of the novel. Esperanza, who is the narrator of the book, represents a female image which is neither “La Virgen de Guadulupe” nor “La Malinche”. She manage to struggle for her own house and search for her identity. Through the analysis of her, to summari

28、ze the different characteristic of her. Conclusion is a summary of all aspects which were mentioned above. And conclusion calls for people to introspect the traditional value of Mexican females and to advocate females real independence.2. The Typical Traditional Female Images in the bookIn this part

29、, the four characters, Mum, Aunt Lupe, Marin and Sally they all will be analyzed in detail. In The House on Mango Street, these two kinds of people just can represent the traditional women image“La Virgen de Guadulupe” in Mexican culture and the revolted women image “La Malinche” respectively. “La V

30、irgen de Guadulupe” and “La Malinche” are two typical female image in mexican culture and history, “La Malinche”, which is totally opposite to the “La Virgen de Guadulupe”. They two have totally different personality and quality. In this section, we will do some detailed analysis of their personalit

31、y, and give some examples to find out what they have in common and how their personality affects their life.2.1 A Brief Introduction to Mum and Aunt Lupe In the book, The House on Mango Street, Esperanzas Mum, is a key figure who appears almost the whole book, at the books very beginning, its middle

32、 paragraphs etc. We can even come to the conclusion that the heroine herself regard her mum as the example to follow during her growth period to some degree. In her eyes, her mum is as holy and warm as the virgin Mary. We can find the evidence from the description of mums hair in the book. It says, “But my mothers hair, my mothers hair, like little rossetes, like little candy circles all curly and pretty because she pinned it in pincurls all day, sweet to put your nose into when she is holding you, holding you and you feel sa