新编英语教程unit1教案.docx
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新编英语教程unit1教案
UnitOne
I.Lead-in
MovieClip
Watchthefollowingvideoandthendotheexercise.Youcanfindtheinterpretationofsomewordsandphrasesin"WordBank".
Book6Unit(00:
00–02:
33)
Script
-See
-Sothisiswherethetreewent.
-What
-Interesting.
-What'ssointeresting
-Thesebranchesdon'thaveasingleleaf.
-Youknow,Inoticedthat,too.
-Jack.Lookatthetreeandsaysomething.
-SaywhatWhat'ssofunny
-Thisisamazing.Don'tyousee
-Hey,youknow,italmostseemslikeeverytimeIsaysomething,someofthe...HelloHel...lo!
Iwantmybabyback,babyback,babyback.Iwantmybabyback,babybackribs.Shit!
Hey,howareyoudoingthis
-MeI'mdoingnothing.Youandthistreearenowconnected.
-Connected
-Itseemslikeallyourtalkingismakingyousick.
-Hey,mytalkingisnotmakingmesick.
-Oh,reallyWhathappenswhenatreelosesallitsleaves,Jack
-Sowhatareyoutryingtosay,Sinja
-It'sobvioustome.Themoreyoutalk,themoreleavesfall,thesickeryouget.
-ThesickerIgetSowhathappensifalltheleavesfalloffthetree
-Thatusuallymeansthetreeisdead.
-Hey,waitasecond.Holdonasecond.You'retellingmethatyouthinkwhateverhappenstothetreehappenstome
-Yes.
-SoIcoulddie.
-Yes,butyouwoulddieinthemostamazingwaypossible.
-Icoulddie
-Orsomeonecouldturnyouintoacoffeetable.
-Hey,Sinja,youknow,you'rearealfunnydudetostandheremakingjokeswhenmylifeisbeingcontrolledbythismagictree.Howmanyleavesdoyouthinkareleftonthistree
-Athousand.
-SowhatIgotAthousandwordsleft
-Nowyouhave993.Oneword,oneleaf.
(FromAThousandWords)
WordBank
dude:
aninformalformofaddressforaman伙计、哥们
Exercise
1.ItisinterestingthatJackandthetree_________________.
A.cancommunicateB.areofthesameage
C.comefromthesameplaceD.areconnected
2.Attheendoftheconversation,Jackhas___________wordstosaybeforehedies.
A.993B.995
C.997D.1,000
Key:
1.D2.A
InspirationalQuotes
Whenideasfail,wordscomeinveryhandy.
—JohannWolfgangvonGoethe
Discussion
Ifyouaretodescribeyourcampuslifeinonlyoneword,whatisitThentelluswhyyouchoosethatparticularword.
II.TextI
Pre-readingQuestions
1.Youmayhavekeptinyourmemorysomewords,phrasesorevenwholesentencesthatareofgreatwisdomandcanserveasguidelinesinyourlife.Sharethemwithyourclassmatesanddiscusstheirvalue.
2.Thetwowordsthat,astheauthorofthetextsuggests,shouldbeavoidedare"ifonly",andthetwoberememberedare"nexttime".Canyouguess,beforeyoureadthetext,whatmessagetheauthorintendstoconveytothereaderwithsuchasuggestion
GeneralReading
I.Judgewhichofthefollowingbeststatesthepurposeofthearticle.
A.ToexplainhowFreud'spsychotherapyworks.
B.Todemonstratethepowerofpositivethinking.
C.Tocallattentiontotheimportanceofthechoiceofwords.
Key:
B
II.Judgewhetherthefollowingstatementsaretrueorfalse.
1.Thatwintryafternoon,theauthorwasinabadmoodandhehappenedtomeetanoldfriendofhisinaFrenchrestaurantinManhattan.
2.TheOldManaskedtheauthortogotohisofficebecausehethoughtthattheofficewasabetterplacethantherestaurantfortheirtalk.
3.Thethreespeakersonthetapehadallbeenunfavorablyaffectedbywhathadhappenedtothem.
4.IntheOldMan'sopinion,itwasabadwayofthinkingalwaystoregretwhatonehaddoneorhadnotdone.
Key:
1.F2.F3.T4.T
BackgroundNotes
1.Manhattan,anislandnearthemouthoftheHudsonRiver,isaboroughofNewYorkCity,insoutheasternNewYorkState,Commercialandculturalheartofthecity,ManhattanisthesiteoftheMetropolitanOperaHouse,CarnegieHall,theCityCenterofMusicandDrama,andnumerousothermusicinstitutions.
2.SigmundFreud(1856–1939)isanAustrianphysicianandthefounderofpsychoanalysis.Freudexploredtheworkingsofthehumanmindanddevelopedpsychoanalysisasatherapeutictechniquetotreatneurosisormentaldisturbances.
TextStudy
Text
TwoWordstoAvoid,TwotoRemember
ArthurGordon
1Nothinginlifeismoreexcitingandrewardingthanthesuddenflashofinsightthatleavesyouachangedperson—notonlychanged,butchangedforthebetter.Suchmomentsarerare,certainly,buttheycometoallofus.Sometimesfromabook,asermon,alineofpoetry.Sometimesfromafriend...
2ThatwintryafternooninManhattan,waitinginthelittleFrenchrestaurant,Iwasfeelingfrustratedanddepressed.Becauseofseveralmiscalculationsonmypart,aprojectofconsiderableimportanceinmylifehadfallenthrough.Eventheprospectofseeingadearfriend(theOldMan,asIprivatelyandaffectionatelythoughtofhim)failedtocheermeasitusuallydid.Isattherefrowningatthecheckeredtablecloth,chewingthebittercudofhindsight.
3Hecameacrossthestreet,finally,muffledinhisancientovercoat,shapelessfelthatpulleddownoverhisbaldhead,lookingmorelikeanenergeticgnomethananeminentpsychiatrist.Hisofficeswerenearby;Iknewhehadjustlefthislastpatientoftheday.Hewascloseto80,buthestillcarriedafullcaseload,stillactedasdirectorofalargefoundation,stilllovedtoescapetothegolfcoursewheneverhecould.
4Bythetimehecameoverandsatbesideme,thewaiterhadbroughthisinvariablebottleofale.Ihadnotseenhimforseveralmonths,butheseemedasindestructibleasever."Well,youngman,"hesaidwithoutpreliminary,"what'stroublingyou"
5Ihadlongsinceceasedtobesurprisedathisperceptiveness.SoIproceededtotellhim,atsomelength,justwhatwasbotheringme.Withakindofmelancholypride,Itriedtobeveryhonest.Iblamednooneelseformydisappointment,onlymyself.Ianalyzedthewholething,allthebadjudgments,thefalsemoves.Iwentonforperhaps15minutes,whiletheOldMansippedhisaleinsilence.
6WhenIfinished,heputdownhisglass."Comeon,"hesaid."Let'sgobacktomyoffice."
7"YourofficeDidyouforgetsomething"
8"No,"hesaidmildly."Iwantyourreactiontosomething.That'sall."
9Achillrainwasbeginningtofalloutside,buthisofficewaswarmandcomfortableandfamiliar:
book-linedwalls,longleathercouch,signedphotographofSigmundFreud,taperecorderbythewindow.Hissecretaryhadgonehome.Wewerealone.
10TheOldMantookatapefromaflatcardboardboxandfitteditontothemachine."Onthistape,"hesaid,"arethreeshortrecordingsmadebythreepersonswhocametomeforhelp.Theyarenotidentified,ofcourse.Iwantyoutolistentotherecordingsandseeifyoucanpickoutthetwo-wordphrasethatisthecommondenominatorinallthreecases."Hesmiled."Don'tlooksopuzzled.Ihavemyreasons."
11Whattheownersofthevoicesonthetapehadincommon,itseemedtome,wasunhappiness.Themanwhospokefirstevidentlyhadsufferedsomekindofbusinesslossorfailure;heberatedhimselffornothavingworkedharder,fornothavinglookedahead.Thewomanwhospokenexthadnevermarriedbecauseofasenseofobligationtoherwidowedmother;sherecalledbitterlyallthemaritalchancesshehadletgoby.Thethirdvoicebelongedtoamotherwhoseteen-agesonwasintroublewiththepolice;sheblamedherselfendlessly.
12TheOldManswitchedoffthemachineandleanedbackinhischair."Sixtimesinthoserecordingsaphraseisusedthat'sfullofsubtlepoison.DidyouspotitNoWell,perhapsthat'sbecauseyouuseditthreetimesyourselfdownintherestaurantalittlewhileago."Hepickeduptheboxthathadheldthetapeandtosseditovertome."Theretheyare,rightonthelabel.Thetwosaddestwordsinanylanguage."
13Ilookeddown.Printedneatlyinredinkwerethewords:
Ifonly.
14"You'dbeamazed,"saidtheOldMan,"ifyouknewhowmanythousandsoftimesI'vesatinthischairandlistenedtowoefulsentencesbeginningwiththosetwowords.'Ifonly,'theysaytome,'Ihaddoneitdifferently—ornotdoneitatall.IfonlyIhadn'tlostmytemper,saidthecruelthing,madethatdishonestmove,toldthatfoolishlie.IfonlyIhadbeenwiser,ormoreunselfish,ormoreself-controlled.'TheygoonandonuntilIstopthem.SometimesImakethemlistentotherecordingsyoujustheard.'Ifonly,'Isaytothem,'you'dstopsayingifonly,wemightbegintogetsomewhere!
'"
15TheOldManstretchedouthislegs."Thetroublewith'ifonly,'"hesaid,"isthatitdoesn'tchangeanything.Itkeepsthepersonfacingthewrongway—backwardinsteadofforward.Itwastestime.Intheend,ifyouletitbecomeahabit,itcanbecomearealroadblock,anexcusefornottryinganymore.
16"Nowtakeyourowncase:
yourplansdidn'tworkout.WhyBecauseyoumadecertainmistakes.Well,that'sallright:
everyonemakesmistakes.Mistakesarewhatwelearnfrom.Butwhenyouweretellingmeaboutthem,lamentingthis,regrettingthat,youweren'treallylearningfromthem."
17"Howdoyouknow"Isaid,abitdefensively.
18"Because,"saidtheOldMan,"younevergotoutofthepasttense.Notoncedidyoumentionthefuture.Andinaway—behonest,now!
—youwereenjoyingit.There'saperversestreakinallofusthatmakesusliketohashoveroldmistakes.Afterall,whenyourelatethestoryofsomedisasterordisappointmentthathashappenedtoyou,you'restillthechiefcharacter,stillinthecenterofthestage."
19Ishookmyheadruefully."Well,what'stheremedy"
20"Shiftthefocus,"saidtheOldManpromptly."Changethekeywordsandsubstituteaphrasethatsuppliesliftinsteadofcreating