中国杭州的美丽洲教堂.docx

中国杭州的美丽洲教堂.docx

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中国杭州的美丽洲教堂

Meilizhouchurch/TsushimaDesignStudio

中国杭州的美丽洲教堂

关键词：

建筑公共教堂信仰木材中国杭州万科日本TsushimaDesignStudio

LocatedinawoodeddevelopmentinHangzhougChina,theMeiLiZhouChurchwasanattempt

tomergeseamlesslynotonlyintothebuildingssurroundingnature,butalsointothelivesof

thosewholivewithinitssurroundingcommunity.CarefullydevelopedincolorationwithTDS

（TsushimaDesignStudio）,andourclientZhejiangVanke,MeiLiZhouChurchwasnotonly

createdforreligiousservices,butasbothaspiritualandcommunityretreatforallofthe

surroundingcommunityregardlessofreligiousbeliefs.Surroundedbynature,theMeiLiZhou

Churchsitsnotasanobjecttobeviewedfromafar,butratherattemptstoblendinnaturallytoits

existingsurroundings. Whiledesigningthechurch,notonlywastheexperienceandfunctionality

oftheuserofgreatimportance,butalsoworkingwithenvironmentallylowimpactmaterialsaswell

asminimizingdamagetotheexistingnaturewerebothveryimportanttotheprojectssuccess.As

aresultofourextensivestudiesinthearchitectureincollaborationwithPLATDesignin

landscape,thechurchesboundaryblurswiththesurroundinglandscape,allowingforaseamless

flowbetweenbuildingandnature.

TheMeiLiZhouChurchwasdesignedwithtwooverwhelmingthemes.Firstthecreationofa

seamlessflowofspacebetweentheinteriorspacesandnature,whilethesecondlooksatthe

ideaoftimelessnessandpurity.

Thechurchcomplexconsistsofthreeseparate,yetconnectedbuildings（TheMeiLiZhou

Chapel,ThesmallerGardenChapel,aswelltheCourtyardOffices）andonebelltower.Thetwo

smallerbuildingsweconsiderthepublicgallery.Althougheachbuildingutilizesdifferentmaterials

anddesignfeatures,theconceptofflowingspacesconnectsthemtogether.TheMeiLiZhou

Chapelservesasthegatewaytotheprojectinbotharchitectureandnature.Itssimpleplan,vast

interiorspaceandlargeopenfacadesallowfortheseamlessflowofnatureandnaturallighting

intothebuilding.Alongwiththetwolargeopeningsatthefrontandrearofthechapel,aseriesof

largeverticalskylightsarelocatedoverthepulpitcreatingaveryephemeralfeelingwithinthe

church.

TheGardenChapelandCourtyardOfficesalsoattempttobringnaturein,butonamuchmore

delicatelevel.WhiletheMeiLiZhouChapelutilizesitsheightandlargeviewstobringnaturein,

thetwosmallerbuildingsuseverycarefullyplacedfloorlevelwindowstoallowthespacestoflow

seamlessly.Althoughboththemainchapelandthesmallerbuildingsevolvedfromthesame

concept,theresultingdesignandcreatedviewsarequiteunique.Notonlythebuildingsallowfor

theseamlessflowofspacethroughouttheproject.Situatedinthecenterofallthreebuildings

andhousingtheBellTowerisalargeoutdoorpublicCourtyard.Thecourtyardactsasadevice,

whichcontinuesthrougheachofthethreebuildings,connectingthemtoeachotheraswellas

nature.Inthetwogallerybuildings,eachroomiscarefullyconnectedtothiscourtyardcreatinga

seriesofinterconnectedspaces.Eachspaceisuniqueandoffersdifferentviewsofthe

surroundinglandscape.Thissequenceofflowingspaceguidespeopleonapath,encouraging

themtoexplorethebuildingsandalloftheexperiencestheyhavetooffer.

Ontheotherhandweexaminedtimelessnessandpurityandwhatthatmeansforthearchitecture

anditsinhabitants.Howcanafixedobject,withinanever-changingenvironmentblend

seamlesslyfromthechangingcolorsoftheseasons,tothechangingofpeople’sbeliefsand

cultures?

Forusthistimelessnesswasfoundinthematerialsanddetails.Thistimelessnesscan

befoundinthemainchapel,anditswoodstructure.Strippedofalldecorativeelements,this

buildingstandspureanddignified.Inatimewhenconcreteandwoodstructuresarenormin

Chineseconstruction,ourstructurelookstoamoretraditionalJapanesesystem.Designedand

constructedinJapan,theengineeredwoodroofallowsforabeautifullydetailedcolumn-less

spaceof11Mx35M.Besidesthewoodstructure,thewallsarecladinunfinishedwood,in

contrasttothewhitetileflooring.Timelessnessiscreatedinthecolorsofthewood,light,and

opennessoftheinteriorspaces,whichareconstantlychanginginconjunctionwiththechanging

ofnaturesurroundingthebuilding.WhiletheMainchapelattemptstoblendinmorewiththe

surroundingforest,thetwogallerybuildingstakeonamoremonolithicmateriality,blendingin

moretothesurroundinglandscape.Withamoreminimalapproachtodetailing,thesebuildings

usematerialssuchaspouredconcreteontheexterior,andalighterwoodfinishintheinteriorto

playwiththecontrastbetweenlightandheavy.Thesurroundinglandscapealsoutilizeslocal

stones,treatedinthesameuntreatedwayallowingforeachstonesnatureandcharactertobe

elegantlyexpressed.

Text:

 AndrewJohnWit

photos:

 MasaoNishikawa

Architect:

 TsushimaDesignStudio

Principal:

 ToshioTsushima

Projectarchitect:

 TakeakiNakamoto

Designers:

 ShangjieJin,NorikoOhata

Program:

Church,Library,CommunityCenter

StructuralEngineer:

 MisawaInternational

Landscape:

PlatDesign

LocalArchitect:

 ACO

Client:

ZhejiangVanke

BuildingArea:

 1025sqm

Date:

 December2010

美丽洲教堂坐落在树木繁茂的杭州，设计不仅仅融入环境，也很好的为社区生活服务。

由TDS倾力

设计，业主是浙江万科。

这个教堂在为宗教服务的同时，也为周边社区服务。

教堂力求融入自然的

环境当中，不仅重视功能和用户体验，还选择了低碳材料，最大限度的降低了对环境的影响。

同时

建筑师做了广泛的研究，让景观与建筑边界模糊，使得建筑与景观无缝接入。

教会有两个重点，一个是室内空间与自然之间宛然一体，第二个是表达永恒和纯净。

教会由三个单体建筑（美丽洲教堂，小花园教堂，办公处）和一个钟楼组成。

其中两栋建筑较小，

每栋材料各异但是整体统一。

美丽洲教堂是与自然的门户无缝衔接的大型开放式建筑。

，简单的平

面，广阔的内部空间，光线和自然流动其中。

大型垂直天窗坐落在两端上方。

与美丽洲教堂的高大相比，小花园教堂和办公区建筑较小，落地窗鼓励与自然更好联系。

虽然他们

看起来是大教堂的演变产物，其实各有千秋。

庭院联系整个建筑群，每一处的景观都独一无二。

在

景观序列体验上，给人们更多的感受。

同时我们在探讨永恒和纯洁的意义之下，让建筑与结构与四季风貌相协调。

给与人心灵的震撼。

建

筑师同样注重细节，木结构去掉了所有的装饰要素，非常简洁和庄严，同中国建筑相比，这个建筑

显得相当日系。

屋顶空间是一个精致的序列化11Mx35M空间。

木结构之外，墙壁也是为未装饰木

材，地板是白色的瓷砖。

木材，光，开放的室内空间，以及四季变化的景观，总共谱写永恒之曲。

教堂完美的融入了周边森林，同时外观混凝土与内部木材的对比体现了轻与重的反差。

未做雕琢

的景观石材将每块石材本身的特性优雅的表达了出来。

注：

设计方：

TsushimaDesignStudio.原文转自：

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