奥斯卡最佳导演詹姆斯卡梅隆TED英文演讲稿2篇.docx

奥斯卡最佳导演詹姆斯卡梅隆TED英文演讲稿2篇.docx

《奥斯卡最佳导演詹姆斯卡梅隆TED英文演讲稿2篇.docx》由会员分享，可在线阅读，更多相关《奥斯卡最佳导演詹姆斯卡梅隆TED英文演讲稿2篇.docx（15页珍藏版）》请在冰豆网上搜索。

奥斯卡最佳导演詹姆斯卡梅隆TED英文演讲稿2篇

奥斯卡最佳导演詹姆斯·卡梅隆TED英文演讲稿2篇

TedspeechbyJamesCameron

奥斯卡最佳导演詹姆斯·卡梅隆TED英文演讲稿2篇

小泰温馨提示：

演讲稿是在较为隆重的仪式上和某些公众场合发表的讲话文稿。

演讲稿是进行演讲的依据，对演讲内容和形式的规范和提示，体现着演讲的目的和手段，用来交流思想、感情，表达主张、见解；也可以用来介绍自己的学习、工作情况和经验等等；同时具有宣传、鼓动、教育和欣赏等作用，可以把演讲者的观点、主张与思想感情传达给听众以及读者，使他们信服并在思想感情上产生共鸣。

本文档根据演讲稿内容要求展开说明，具有实践指导意义，便于学习和使用，本文下载后内容可随意修改调整及打印。

本文简要目录如下：

【下载该文档后使用Word打开，按住键盘Ctrl键且鼠标单击目录内容即可跳转到对应篇章】

1、篇章1：

奥斯卡最佳导演詹姆斯·卡梅隆TED英文演讲稿

2、篇章2：

奥斯卡最佳导演詹姆斯·卡梅隆TED英文演讲稿

篇章1:

奥斯卡最佳导演詹姆斯·卡梅隆TED英文演讲稿

以下这篇由站整理提供的是《阿凡达》、《泰坦尼克号》的导演詹姆斯·卡梅隆（JamesCameron）的一篇TED演讲。

在这个演讲里，卡梅隆回顾了自己从电影学院毕业后走上导演道路的故事。

卡梅隆告诉你，不要畏惧失败，永远不要给自己设限。

更多演讲稿范文，欢迎访问站!

Igrewuponasteadydietofsciencefiction.Inhighschool,Itookabustoschoolanhoureachwayeveryday.AndIwasalwaysabsorbedinabook,sciencefictionbook,whichtookmymindtootherworlds,andsatisfied,inanarrativeform,thisinsatiablesenseofcuriositythatIhad.

Andyouknow,thatcuriosityalsomanifesteditselfinthefactthatwheneverIwasn'tinschoolIwasoutinthewoods,hikingandtaking"samples"--frogsandsnakesandbugsandpondwater--andbringingitback,lookingatitunderthemicroscope.Youknow,Iwasarealsciencegeek.Butitwasallabouttryingtounderstandtheworld,understandthelimitsofpossibility.

Andmyloveofsciencefictionactuallyseemedmirroredintheworldaroundme,becausewhatwashappening,thiswasinthelate'60s,weweregoingtothemoon,wewereexploringthedeepoceans.JacquesCousteauwascomingintoourlivingroomswithhisamazingspecialsthatshowedusanimalsandplacesandawondrousworldthatwecouldneverreallyhavepreviouslyimagined.So,thatseemedtoresonatewiththewholesciencefictionpartofit.

AndIwasanartist.Icoulddraw.Icouldpaint.AndIfoundthatbecausethereweren'tvideogamesandthissaturationofCGmoviesandallofthisimageryinthemedialandscape,Ihadtocreatetheseimagesinmyhead.Youknow,wealldid,askidshavingtoreadabook,andthroughtheauthor'sdescription,putsomethingonthemoviescreeninourheads.Andso,myresponsetothiswastopaint,todrawaliencreatures,alienworlds,robots,spaceships,allthatstuff.Iwasendlesslygettingbustedinmathclassdoodlingbehindthetextbook.Thatwas--thecreativityhadtofinditsoutletsomehow.

Andaninterestingthinghappened:

TheJacquesCousteaushowsactuallygotmeveryexcitedaboutthefactthattherewasanalienworldrighthereonEarth.Imightnotreallygotoanalienworldonaspaceshipsomeday--thatseemedprettydarnunlikely.ButthatwasaworldIcouldreallygoto,righthereonEarth,thatwasasrichandexoticasanythingthatIhadimaginedfromreadingthesebooks.

So,IdecidedIwasgoingtobecomeascubadiverattheageof

15.AndtheonlyproblemwiththatwasthatIlivedinalittlevillageinCanada,600milesfromthenearestocean.ButIdidn'tletthatdauntme.IpesteredmyfatheruntilhefinallyfoundascubaclassinBuffalo,NewYork,rightacrosstheborderfromwherewelive.AndIactuallygotcertifiedinapoolataYMCAinthedeadofwinterinBuffalo,NewYork.AndIdidn'tseetheocean,arealocean,foranothertwoyears,untilwemovedtoCalifornia.

Sincethen,intheintervening40years,I'vespentabout3,000hoursunderwater,and500hoursofthatwasinsubmersibles.AndI'velearnedthatthatdeep-oceanenvironment,andeventheshallowoceans,aresorichwithamazinglifethatreallyisbeyondourimagination.Nature'simaginationissoboundlesscomparedtoourownmeagerhumanimagination.Istill,tothisday,standinabsoluteaweofwhatIseewhenImakethesedives.Andmyloveaffairwiththeoceanisongoing,andjustasstrongasiteverwas.

ButwhenIchoseacareerasanadult,itwasfilmmaking.AndthatseemedtobethebestwaytoreconcilethisurgeIhadtotellstorieswithmyurgestocreateimages.AndIwas,asakid,constantlydrawingcomicbooks,andsoon.So,filmmakingwasthewaytoputpicturesandstoriestogether,andthatmadesense.AndofcoursethestoriesthatIchosetotellweresciencefictionstories:

"Terminator,""Aliens"and"TheAbyss."Andwith"TheAbyss,"Iwasputtingtogethermyloveofunderwateranddivingwithfilmmaking.So,youknow,mergingthetwopassions.

Somethinginterestingcameoutof"TheAbyss,"whichwasthattosolveaspecificnarrativeproblemonthatfilm,whichwastocreatethiskindofliquidwatercreature,weactuallyembracedcomputergeneratedanimation,CG.Andthisresultedinthefirstsoft-surfacecharacter,CGanimationthatwaseverinamovie.Andeventhoughthefilmdidn'tmakeanymoney--barelybrokeeven,Ishouldsay--Iwitnessedsomethingamazing,whichisthattheaudience,theglobalaudience,wasmesmerizedbythisapparentmagic.

Youknow,it'sArthurClarke'slawthatanysufficientlyadvancedtechnologyisindistinguishablefrommagic.Theywereseeingsomethingmagical.Andsothatgotmeveryexcited.AndIthought,"Wow,thisissomethingthatneedstobeembracedintothecinematicart."So,with"Terminator2,"whichwasmynextfilm,wetookthatmuchfarther.WorkingwithILM,wecreatedtheliquidmetaldudeinthatfilm.Thesuccesshunginthebalanceonwhetherthateffectwouldwork.Anditdid,andwecreatedmagicagain,andwehadthesameresultwithanaudience--althoughwedidmakealittlemoremoneyonthatone.

So,drawingalinethroughthosetwodotsofexperiencecameto,"Thisisgoingtobeawholenewworld,"thiswasawholenewworldofcreativityforfilmartists.So,IstartedacompanywithStanWinston,mygoodfriendStanWinston,whoisthepremiermake-upandcreaturedesigneratthattime,anditwascalledDigitalDomain.Andtheconceptofthecompanywasthatwewouldleapfrogpasttheanalogprocessesofopticalprintersandsoon,andwewouldgorighttodigitalproduction.Andweactuallydidthatanditgaveusacompetitiveadvantageforawhile.

Butwefoundourselveslagginginthemid'90sinthecreatureandcharacterdesignstuffthatwehadactuallyfoundedthecompanytodo.So,Iwrotethispiececalled"Avatar,"whichwasmeanttoabsolutelypushtheenvelopeofvisualeffects,ofCGeffects,beyond,withrealistichumanemotivecharactersgeneratedinCG,andthemaincharacterswouldallbeinCG,andtheworldwouldbeinCG.Andtheenvelopepushedback,andIwastoldbythefolksatmycompanythatweweren'tgoingtobeabletodothisforawhile.

So,Ishelvedit,andImadethisothermovieaboutabigshipthatsinks.（Laughter）Youknow,Iwentandpitchedittothestudioas"'RomeoandJuliet'onaship:

"It'sgoingtobethisepicromance,passionatefilm."Secretly,whatIwantedtodowasIwantedtodivetotherealwreckof"Titanic."Andthat'swhyImadethemovie.（Applause）Andthat'sthetruth.Now,thestudiodidn'tknowthat.ButIconvincedthem.Isaid,"We'regoingtodivetothewreck.We'regoingtofilmitforreal.We'llbeusingitintheopeningofthefilm.Itwillbereallyimportant.Itwillbeagreatmarketinghook."AndItalkedthemintofundinganexpedition.（Laughter）

Soundscrazy.Butthisgoesbacktothatthemeaboutyourimaginationcreatingareality.Becauseweactuallycreatedarealitywheresixmonthslater,IfindmyselfinaRussiansubmersibletwoandahalfmilesdowninthenorthAtlantic,lookingattherealTitanicthroughaviewport.Notamovie,notHD--forreal.（Applause）

Now,thatblewmymind.Andittookalotofpreparation,wehadtobuildcamerasandlightsandallkindsofthings.But,itstruckmehowmuchthisdive,thesedeepdives,waslikeaspacemission.Youknow,whereitwashighlytechnical,anditrequiredenormousplanning.Yougetinthiscapsule,yougodowntothisdarkhostileenvironmentwherethereisnohopeofrescueifyoucan'tgetbackbyyourself.AndIthoughtlike,"Wow.I'mlike,livinginasciencefictionmovie.Thisisreallycool."

Andso,Ireallygotbittenbythebugofdeep-oceanexploration.Ofcourse,thecuriosity,thesciencecomponentofit--itwaseverything.Itwasadventure,itwascuriosity,itwasimagination.AnditwasanexperiencethatHollywoodcouldn'tgiveme.Because,youknow,Icouldimagineacreatureandwecouldcreateavisualeffectforit.ButIcouldn'timaginewhatIwasseeingoutthatwindow.Aswedidsomeofoursubsequentexpeditions,IwasseeingcreaturesathydrothermalventsandsometimesthingsthatIhadneverseenbefore,sometimesthingsthatnoonehadseenbefore,thatactuallywerenotdescribedbyscienceatthetimethatwesawthemandimagedthem.

So,Iwascompletelysmittenbythis,andhadtodomore.Andso,Iactuallymadeakindofcuriousdecision.Afterthesuccessof"Titanic,"Isaid,"OK,I'mgoingtoparkmydayjobasaHollywoodmoviemaker,andI'mgoingtogobeafull-timeexplorerforawhile."Andso,westartedplanningtheseexpeditions.AndwewoundupgoingtotheBismark,andexploringitwithroboticvehicles.WewentbacktotheTitanicwreck.Wetooklittlebotsthatwehadcreatedthatspooledafiberoptic.Andtheideawastogoinanddoaninteriorsurveyofthatship,whichhadneverbeendone.Nobodyhadeverlookedinsidethewreck.Theydidn'thavethemeanstodoit,sowecreatedtechnologytodoit.

So,youknow,hereIamnow,onthedeckofTitanic,sittinginasubmersible,andlookingoutatplanksthatlookmuchlikethis,whereIknewthatthebandhadplayed.AndI'mflyingalittleroboticvehiclethroughthecorridoroftheship.WhenIsay,"I'moperatingit,"butmymindisinthevehicle.IfeltlikeIwasphysicallypresentinsidetheshipwreckofTitanic.AnditwasthemostsurrealkindofdejavuexperienceI'veeverha