WRITING BUSINESS MESSAGES.docx
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WRITINGBUSINESSMESSAGES
CHAPTER5:
WritingBUSINESSMESSAGES
CHAPTEROUTLINE
OrganizingYourMessage
WhatGoodOrganizationMeans
WhyGoodOrganizationIsImportant
HowGoodOrganizationIsAchieved
DefinetheMainIdea
LimittheScope
StructureYourMessage
StartwiththeMainIdea
StatetheMajorPoints
IllustratewithEvidence
ChooseBetweentheDirectandIndirectApproaches
Routine,Good-News,andGoodwillMessages
Bad-NewsMessages
PersuasiveMessages
ComposingandShapingYourMessage
ControllingYourStyleandTone
UseaConversationalTone
UsePlainEnglish
SelectActiveorPassiveVoice
SelectingtheBestWords
UseFunctionalandContentWordsCorrectly
DenotationandConnotation
AbstractionandConcreteness
FindWordsThatCommunicate
CreatingEffectiveSentences
TheFourTypesofSentences
UseSentenceStyletoEmphasizeKeyThoughts
DevelopingCoherentParagraphs
ElementsoftheParagraph
TopicSentence
RelatedSentences
TransitionalElements
FiveWaystoDevelopaParagraph
UsingTechnologytoComposeandShapeYourMessage
WritingEffectiveE-MailMessages
OrganizingYourE-MailMessages
ComposingYourE-MailMessages
CreatingEffectiveE-MailSubjectLines
PersonalizingYourE-MailMessages
LECTURENOTES
OrganizingYourMessage
Relyonorganizationtomakeyourmessagesmeaningful.
ForU.S.andCanadiancommunicators,goodorganizationgenerallymeanscreatingalinearmessagethatproceedspointbypoint.
Themostcommonorganizationproblemsinclude
Takingtoolongtogettothepoint
Includingirrelevantmaterial
Gettingideasmixedup
Leavingoutnecessaryinformation
Goodorganizationisimportantbecausemisinterpretedmessagesleadto
Wastedtimereadingandrereading
Poordecisionmaking
Shatteredbusinessrelationships
Goodorganizationhelpsyoucommunicatemoreeffectively:
Youwon’twastetimeputtingideasinthewrongplacesorcomposingmaterialyoudon’tneed.
Youcangetsomeadvanceinputfromyouraudience.
Youcanuseyourorganizationplantodividethewritingjobamongco-workers.
Goodorganizationhelpsyouraudience
Understandyourmessage
Acceptyourmessage
Savetime
Goodorganizationisachievedby
Definingthemainidea
Limitingthescope
Groupingsupportingpoints
Selectingeitheradirectorindirectapproach
Yourtopicisthebroadsubjectofyourmessage:
themainideaisthecentralpointthatsumsupeverything.
*SeeTransparencies5and6fordocumentsthatcanbeusedtopracticedifferentiatingtopic,purpose,andmainidea.
Trytodefineamainideathatwillestablishagoodrelationshipbetweenyouandyouraudience.
Thescope(lengthanddetail)ofamessagemustmatchthemainidea.
Stickwiththreeorfourmajorpoints(fiveatmost),regardlessofhowlongyourmessagewillbe.
Scopedependson
Thenatureofyoursubject
Youraudiencemembers’familiaritywiththetopic
Youraudience’sreceptivitytoyourconclusions
Yourcredibility
Theamountanddepthofinvestigationyoucanconduct
Groupyourpointsinthemostlogicalandeffectivewayby
Constructinganoutlinesothatyoucancommunicateinasystematicway
Insertingtransitionssothatyouraudiencecanseetherelationshipsamongyourideas
Typesofoutlinesinclude
Thebasicoutlineformat(numbersorlettersidentifyeachpointandareindentedtoshowwhichitemsareofequalstatus)
Theorganizationchartformat(showingthoughtsasboxesorganizedintodivisions,similartothechartsthatshowanorganization’smanagementstructure)
Todevelopanoutline,youusually
Startwiththemainidea(supportedorexplainedbyabsolutelyeverythinginthemessage)
Statethemajorpoints
Illustratewithevidence
Yourmajorsupportpointswillbesuggestedbyoneofthefollowing:
Thenaturalorderofyoursubject(basedonsomethingphysical,thestepsinaprocess,thedescriptionofanobject,orachronologicalchain)
Themajorelementsofyourargument(basedonalineofreasoning)
Themoreevidenceyouprovide,themoreconclusiveyourcasewillbe.
Provideenoughsupporttobeconvincingbutwithoutthemessagebecomingboringorinefficient.
Tomaintainaudienceinterest,varythetypeofdetail:
Factsandfigures
Exampleorillustration
Description
Narration
Referencetoauthority
Visualaids
ForaU.S.orCanadianaudience,youmustdecidewhetheryourmessagewillbedirectorindirect:
Thedirectapproachisdeductive:
themainideacomesfirst,followedbyevidence.
Theindirectapproachisinductive:
theevidencecomesfirst,followedbythemainidea.
Yourchoiceofdirectorindirectapproachdependson
Audiencereaction:
Directwhenaudiencewillbereceptive
Indirectwhenaudiencewillresist
Messagelength
Directforshort,positivemessages
Indirectforlongermessages
Messagetype
Directforroutine,good-news,andgoodwillmessages
Indirectforbad-newsandpersuasivemessages
ComposingandShapingYourMessage
Whencomposingyourmessage,tryto
Putyouroutlineasideforadayortwo(giventhetime)toreviewitwithafreshperspective
Improveyouroutline(rearranging,deletingandaddingideas),aslongasyoudon’tlosesightofyouroriginalpurpose
Writedownyourideasasquicklyasyoucan(worryaboutrevisingorrefininglateron)
Styleisthewaywordsareusedtoachieveacertaintone(theimpressionmadebyyourwords).
Controlyourstyleandtoneby
Usingaconversationalapproach
UsingplainEnglish
Selectingactiveorpassivevoice
Toachieveaconversationaltone,tryto
Avoidobsoleteandpompouslanguage
Avoidintimacy
Avoidhumor
Avoidpreachingandbragging
Strivefortheappropriatelevelofformality
Tohelpyouraudienceunderstandyourmeaning,useplainEnglishwheneverappropriate,includingwhenaddressinginterculturalaudiences.
Usetheactivevoiceto
Produceshorter,strongersentences
Makeyourwritingmorevigorous,concise,andgenerallyeasiertounderstand
Thepassivevoiceisbestinsomecases:
Whenyouneedtobediplomatic
Whenyouwanttoavoidtakingorattributingthecreditortheblame
Whenyouwanttoavoidpersonalpronounstocreateanobjectivetone
Thewordsyouchoosetousemustbecorrectandsuitable:
Usefunctionalandcontentwordscorrectly.
Findwordsthatcommunicate.
Functionalwordsexpressrelationshipsandhaveonlyoneunchangingmeaninginanygivencontext(includingconjunctions,prepositions,articles,pronouns).
Contentwordsaremultidimensional,andthussubjecttovariousinterpretations(includingnouns,verbs,adjectives,andadverbs).
Contentwordshavetwomeanings:
Thedenotativemeaningistheliteralordictionarymeaning.
Theconnotativemeaningincludesalltheassociationsandfeelingsevokedbytheword.
Wordsthatarehighinconnotativemeaningshouldbeavoidedinbusinesscommunication.
Awordmaybe
Abstract(expressingaconcept,qualityorcharacteristic)
Concrete(standingforsomethingyoucantouchorsee)
Blendabstracttermswithconcreteonestobeaseffectiveaspossible.
Whenyoucomposebusinessmessages,trytothinklikeawordsmith:
Choosestrongwords.
Choosefamiliarwords.
Avoidclichés.
Usejargoncarefully.
InEnglish,thesenseofwordsisdeterminedbytheirorder.
Fourtypesofsentencesare
Simple:
onemainclause(subjectandpredicate)
Compound:
twomainclauses
Complex:
onemainclausewithoneormoresubordinateclauses
Compound-complex:
twomainclauses,atleastonewithasubordinateclause
Theclearestwritingmixesallfoursentencetypes,usingthosethatmatchtherelationshipofideas.
Youcanemphasizekeyideasby
Choosingasentencestylethatgivesthatideathemostspace
Addingaseparate,shortsentencetoaugmentthethought
Makingathoughtthesubjectofasentence
Placingthekeyideaeitheratthebeginningortheendofasentence
Aparagraphisagroupofsentencesallrelatedtothesamegeneraltopic.
Aparagraphismadeupofseveralelements:
Topicsentence(introducingthesingletopicofthesentence)
Relatedsentences(explainingthetopicsentence)
Transitionalelements(showingtherelationshipamongsentencesandbetweenparagraphs)
Establishtransitionsby
Usingconnectingwords
Echoingawordorphrasefromapreviousparagraphorsentence
Usingapronounthatreferstoanounusedpreviously
Usingwordsthatarefrequentlypaired
Developaparagraphinoneoffiveways:
Comparison
Contrast
Causeandeffect
Classification
Problemandsolution
Composingmessagesisgreatlyaidedbyword-processingprograms,whichautomatemanytextentryandrevisiontasks.
Usingawordprocessor,youcancreateandstoreboilerplateparagraphsformultipledocuments.
WritingEffectiveE-MailMessages
Usethefirstfewlinesofane-mailmessagetotellthereader
Whatyouneed
Whatyou’reproviding
Whatyouwanthimorhertodo
Whenreplyingtoamessage,quoteonlytheinformationorquestiondirectlyrelevanttoyourreply.
Makeyoure-maileasytofollow:
AvoidlinesthatrunoffscreenorwrapoddlybyusingtheEnterkeytolimitlinelength.
Avoidstyled(bold,italic)text.
Useshort,focused,logicallyorganizedparagraphs.
Trytolimite-mailtoonescreen.
Howformalyoumakeyourmessagedependsonyouraudienceandpurpose.
Makeyoure-mailmessagesmoreeffectiveby
Makingyoursubjectlineinformative
Personalizingyoure-mailmessage
SPECIALFEATURES
BeatingWriter’sBlock:
NineWorkableIdeastoGetWordsFlowing(p.119)
1.Amongmethodsofprocrastinationthatstudentsmightlistaremakingtrivialphonecallsorvisitingwithofficemates,makinglistsofthingstodo,gettingsomethingtodrinkoreat,doingchores,runningerrands—anythingthatcanbeusedtokeepfromstartingtowork.Methods