Selected Readings in English and American Prose本部.docx

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Selected Readings in English and American Prose本部.docx

SelectedReadingsinEnglishandAmericanProse本部

SelectedReadingsinEnglishandAmericanProse

Content

LessonOne:

Introduction

LessonTwo:

OfMarriageandSingleLife(FrancisBacon)

LessonThree:

AModestProposal(JonathanSwift)

LessonFour:

SirRogeratChurch(JosephAddison)

LessonFive:

LettertoLordChesterfield(SamuelJohnson)

LessonSix:

DreamChildren:

AReverie(CharlesLamb)

LessonSeven:

EarlyEffortsatWriting(RobertLouisStevenson)

LessonEight:

HowtoGrowOld(BertrandRussell)

LessonNine:

TheAuthor’sAccountofHimself(WashingtonIrving)

LessonTen:

TheAmericanScholar(RalphWaldoEmerson)

LessonEleven:

TheEssayist(ElwynBrooksWhite)

LessonTwelve:

SecondInauguralAddress(AbrahamLincoln)

 

LessonOne:

Introduction

ClassOrganization:

Activeparticipationiswelcomed,includingclasspresentationandfreediscussion.Classpresentationwillbecenteredontheunderstandingofgiventextsandliteraryterms.

FinalExam:

centeringonwhat’vebeenstudiedanddiscussedintheclass.

I.Interestingquotationswillbegiven,andSSareaskedtoidentifythequotationsbyauthorandnameofthework,andalsotoexplaintheirmeaningbriefly.Thus,SSshouldmakethemselvestogetveryfamiliarwithwhattheyhavestudiedintheclass.

II.Explainsomeliteraryterms.

III.Answerquestionsconcerningthetextsthathavebeenstudiedintheclass.Thosequestionsmaycoverthecontent,thehistoricalbackground,theauthorandeventhestylisticfeaturesofthetexts.

IV.Blank-filling.Twopiecesofessaywillbechosenforthefinaltest.

LiteraryTerms

Prose(散文) Initsbroadestsense,thetermisappliedtoallformsofwrittenorspokenexpressionwhichdonothavearegularrhythmicpattern.Butmostoftenitismeanttodesignateaconscious,cultivatedwriting,notmerelyabringingtogetherofvocabularies,alistingofideas,acatalogueofobjects.Whileproseislikeverseinthatthegoodprosehasarhythm,itisunlikeverseinthatthisrhythmisnottobescannedbyanyofthenormalmetricalschemes.Thequalitiesofproseinclude:

(1)itiswithoutsubstantialrhythmicregularity;

(2)ithassomelogical,grammaticalorderanditsideasareconnectedlystatedratherthanmerelylisted;(3)itischaracterizedbythevirtuesofstyle,thoughthestylewillvary,naturally,fromwritertowriter;(4)itwillsecurevarietyofexpressionthroughdictionandthroughsentencestructure.Prose,interestinglyenough,hasinallliteraturesdevelopedmoreslowlythanverse.

(adaptedfromWilliamFlintThrall,AddisonHibbardandC.HughHolman)

Essay(随笔,小品文)Amoderatelybriefprosediscussionofarestrictedtopic.Becauseofthewideapplicationoftheterm,nosatisfactorydefinitioncanbearrivedat.Norisawhollyacceptable“classification”ofessaytypespossible.Abasicandveryusefuldivisioncan,however,bemade:

formalandinformalessays.Theinformalessay,sometimescalledthe“true”essay,includesmoderatelybriefaphoristic(警句似的,格言似的)essayslikeBacon’s,periodicalessayslikeAddison’s,andpersonalessayslikeLamb’s.Qualitieswhichmakeanessayinformalinclude:

thepersonalelement(self-revelation,individualtastesandexperiences,confidentialmanner),humor,gracefulstyle,ramblingstructure,unconventionalityornoveltyoftheme,freshnessofform,freedomfromstiffnessandaffectation,incompleteortentativetreatmentoftopic.Thepointsofviewandwiderangeofthemesintheinformalessaymaybesuggestedbycitingafewtypicaltitles:

“OntheEnjoymentofUnpleasantPlaces”(Stevenson),“ACureforFitsinMarriedLadies”(Steele),“AChapteronEars”(Lamb),“ADissertationonRoastPig”(Lamb),“GettingUponColdMornings”(Hunt),“OnGoingaJourney”(Hazlitt---advocatingthesolitaryhike),“EveryMan’sNaturalDesiretoBeSomebodyElse”(Crothers).Qualitiesoftheformalessayinclude:

soberseriousnessofpurpose,dignity,logicalorganization,length.Thetermmayincludebothshortdiscussions,expositoryorargumentative,suchastheseriousmagazinearticle,andlongertreatises,likethechaptersinCarlyle’sHeroandHero-worship.

(adaptedfromWilliamFlintThrall,AddisonHibbardandC.HughHolman)

ClassicEssay:

Inliterarystudiesandcriticism,theterm“classic”isverybroadandcomprehensiveinmeaning.Itmayreferto:

(1)theworksofthehighestrankinanynation,aseverynation,bigorsmall,hasatleastoneperiodthatseesgreatestworks;

(2)GreekorRomanliterature,oranyworkthatfollowstheGreekandRomantraditionofwriting;and(3)theworksthatconformtostrictrulesorelegantforms,producedfromintellectratherthanimagination,andavoidingobscurityorself-indulgence.

Ofthespecificliterarygenres,thetermisusedinmuchthesameway.Generallyspeaking,theclassicessaypossessesthefollowingcharacteristicsofclassicliterature:

1.Classicliteratureisofclarity,splendour,sublimity,andphilosophicality.Andthesepropertiesarecommoninalmostallclassicessays,asthosebyAristotle,Cicero,Confucius,Montaigne,Bacon,Emersonandthekind.

2.InWesternliteraturethereisalwaysalastingtraitofGreekandRomanvigourwhichfostersaclassictemperamentintheliterarymindsofmanygenerations.ClassicessayistsasBaconandPopedirectlyorindirectlyadoptmuchofHomer,Horace(注:

Romanlyricpoet.HisOdesandSatireshaveexertedamajorinfluenceonEnglishpoetry.),Virgil(注:

Romanpoet.HisgreatestworkistheepicpoemAeneid,whichtellsofthewanderingsofAeneasafterthesackofTroy.),Ovid(注:

Romanpoetknownforhisexplorationsoflove,especiallytheArtofLove(c.1b.c.)andMetamorphoses变形记(c.a.d.8).)orSenecainsubjects,styles,andevenlanguageitself.Theircompositionsarethereforeoftypicalclassicbeautyandstrength.

3.Greatimportanceisplaceduponstrictrules,elegantforms,refineddiction,confinedsyntax,andbalancedtexture,inallclassicliteratureincludingtheclassicessay,whichismoreflexible,though.Yetsomeessayists,suchasthoseoftheAugustanEnglandandsocomparabletotheTongchengSchoolofChina,complysostrictlywiththeclassicstandardsthattheirworksbearmuchaffectation,elaboration,andnon-naturalness.TheselinguisticfeaturesaresotruetoclassicessayistsinEngland.

4.Theclassicessayisascomprehensiveinsubjectmattersandstylesasinallclassicliterature.Insubjects,theclassicessaydealswithavarietyofthemes:

philosophy,literarycriticism,arts,politics,history,socialproblems,travels,andotheraspectsoflife.Itsstyle,however,varieswitheveryindividualessayist.Forexample,Ciceroisgracefullyeloquent;Baconisweightyandhighlysententious(警句的,富于格言的);Swiftisdeceptivelyplainandsatiricallyforceful;Addisonis“familiarbutnotcoarse,elegantbutnotostentatious(炫耀的).”

InTermsofliteraryhistory,theclassicessay,muchinthesamewayastheclassicliterature,includes

(1)theworksoftheindividualessayistsbeforeclassicismflourishedasaliteraryclimate,whichmightbetermedasthepre-classicessay;

(2)theworksmass-producedintheClassicAgewhenclassicismwasaconsciousliterarypursuitandaprevailingliterarymode;(3)theworkscreatedintheNeoclassicAge,whichmightbereferredtoastheneoclassicessay;(4)theworksoftheindividualessayistwhocomplywiththeclassicstandardsinthetimesaftertheClassicandNeoclassicAgeswhenclassicismdeclined.

Classicwriterspreparedmuchformodernliterature;modernessayistsorprosewritersowemuchtoclassicessays,withoutwhich,assomeliterarycriticsbelieve,theywouldhavetobuildtheirliterarycastlejustonthequicksand.

 

LessonTwo:

OfMarriageandSingleLife(FrancisBacon)

OfMarriageandSingleLife

HEthathathwifeandchildrenhathgivenhostagestofortune;fortheyareimpedimentstogreatenterprises,eitherofvirtueormischief.Certainlythebestworks,andofgreatestmeritforthepublic,haveproceededfromtheunmarriedorchildlessmen,whichbothinaffectionandmeanshavemarriedandendowedthepublic.Yetitweregreatreasonthatthosethathavechildrenshouldhavegreatestcareoffuturetimes,untowhichtheyknowtheymusttransmittheirdearestpledges.Sometherearewho,thoughtheyleadasinglelife,yettheirthoughtsdoendwiththemselves,andaccountfuturetimesimpertinences.Nay,therearesomeotherthataccountwifeandchildrenbutasbillsofcharges.Naymore,therearesomefoolishrichcovetousmenthattakeaprideinhavingnochildren,becausetheymaybethoughtsomuchthericher.Forperhapstheyhaveheardsometalk,“Suchaoneisagreatrichman”,andanotherexcepttoit,“Yea,buthehathagreatchargeofchildren”,asifitwereanabatementtohisriches.Butthemostordinarycauseofasinglelifeisliberty,especiallyincertainself-pleasingandhumorousminds,whicharesosensibleofeveryrestraint,astheywillgoneartothinktheirgirdlesandgarterstobebondsandshackles.Unmarriedmenarebestfriends,bestmasters,bestservants,butnotalwaysbestsubjects,fortheyarelighttorunaway,andalmostallfugitivesareofthatcondition.Asinglelifedothwellwithchurchmen,forcharitywillhardlywaterthegroundwhereitmustfirstfillapool.Itisindifferentforjudgesandmagistrates,foriftheybefacileandcorrupt,youshallhaveaservantfivetimesworsethanawife.Forsoldiers,Ifindthegeneralscommonlyintheirhortativesputmeninmindoftheirwivesandchildren;andIthinkthedespisingofmarriageamongsttheTurksmakeththevulgarsoldiermorebase.Certainlywifeandchildrenareakindofdisciplineofhumanity;andsinglemen,thoughtheymaybemany

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