HowComputersKnowWhatWeWant BeforeWeDoWord格式.docx
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veamassedadatabasecontainingdetailedprofilesof740,000differentsongs.WestergrencallsthisdatabasetheMusicGenomeProject.
Thereisapointtoallthis,apartfromsettlingbarbetsaboutwhichsonghasthemostprominentbanjopartever.ThepurposeoftheMusicGenomeProjectistomakepredictionsaboutwhatkindofmusicyou'
regoingtolikenext.PandorausestheMusicGenomeProjecttopowerwhat'
sknowninthebusinessasarecommendationengine:
oneofthosepiecesofsoftwarethatgivesyouadviceaboutwhatyoumightenjoylisteningtoorwatchingorreadingnext,basedonwhatyoujustlistenedtoorwatchedorread.TellPandorayoulikeSpoonandi'
tllplayyouModestMouse.TellityoulikeCajunaccordionvirtuosoAlphonse“BoisSec”Ardoinandit'
lltryyououtonsomeIryLeJeune.EnoughpeopleliketellingPandorawhattheylikethattheserviceadds2.5millionnewusersamonth.
Overthepastdecade,recommendationengineshavebecomequietlyubiquitous.Attheappropriatemoment-generallywhenyou'
reabouttoconsummatearetailpurchase-theyappearatyourshoulder,whisperingsuggestivelyinyourear.Amazonwasthepioneerofautomatedrecommendations,butNetflix,Apple,YouTubeandTiVohavethemtoo.Inthemusicspacealone,Pandorahasdozensofcompetitors.Agoodrecommendationengineisworthalotofmoney.AccordingtoareportbyindustryanalystForrester,one-thirdofcustomerswhonoticerecommendationsonane-commercesitewindupbuyingsomethingbasedonthem.
Thetroublewithrecommendationenginesisthatthey'
rereallyhardtobuild.Theylooksimpleontheoutside-ifyoulikedX,you'
llloveY!
-butthey'
reactuallydoingsomethingfiendishlycomplex.They'
reprocessingastoundingquantitiesofdataanddoingsowithseriouslyhigh-levelmath.That'
sbecausethey'
reattemptingtosecond-guessamysterious,perverseandprofoundlyhumanformofbehavior:
thepersonalresponsetoaworkofart.They'
retryingtoreverse-engineerthesoul.They'
realsochangingthewayourcultureworks.Weusedtolearnaboutnewworksofartfromfriendsandcriticsandvideo-storeclerks-frompeople,inotherwords.Nowwelearnaboutthemfromsoftware.There'
sanewclassoftastemakers,andthe'
yrenothuman.LearningtoLoveDolphLundgren
Pandoramakesrecommendationsthesamewaypeopledo,moreorless:
byknowingsomethingaboutthemusicit'
srecommendingandsomethingaboutyourmusicaltaste.Butthat'
sactuallyprettyunusual.It'
saverylabor-intensiveapproach.Mostrecommendationenginesworkbackwardinstead,usinginformationthatcomesnotfromtheartbutfromitsaudience.
It'
satechniquecalledcollaborativefiltering,anditworksontheprinciplethatthebehaviorofalotofpeoplecanbeusedtomakeeducatedguessesaboutthebehaviorofasingleindividual.Her'
estheidea:
if,statisticallyspeaking,mostpeoplewholikedthefirstSexandtheCitymoviealsolikeMammaMia!
thenifweknowthataparticularindividuallikedSexandtheCity,wecanmakeaneducatedguessthatthatindividualwillalsolikeMammaMia!
Itsoundssimpleenough,butthecloseryoulook,theweirderandmorecomplicateditgets.TakeNetflix'
srecommendationengine,whichithasdubbedCinematch.Thealgorithmicgutsofarecommendationengineareusuallyafiercelyguardedtradesecret,butin2006Netflixdecideditwasn'
tcompletelyhappywithCinematch,andittookanunusualapproachtosolvingtheproblem.Thecompanymadepublicaportionofitsdatabaseofmovieratings-around100millionofthem-andofferedaprizeof$1milliontoanybodywhocouldimproveitsengineby10%.TheNetflixcompetitionopenedawindowontoaworldthat'
susuallylockedawaydeepinthebowelsofcorporateR&
Ddepartments.Theeventualwinner-whichclinchedtheprizelastfall-wasaseven-man,four-countryconsortiumcalledBellKor'
sPragmaticChaos,whichincludedBobBellandChrisVolinsky,twomembersofAT&
'
Tsresearchdivision.Talkingtothem,youstarttoseehowdifficultitistomakeapieceofsoftwareunderstandthevagariesofhumantaste.Youalsoseehow,oddly,softwareunderstandsthingsaboutourtasteinmoviesthatahumanvideoclerknevercould.
Thekeypointtograspaboutcollaborative-filteringsoftwareisthatitknowsabsolutelynothingaboutmovies.Ithasnopreconceptions;
itworksentirelyonthebasisoftheaudience'
sreaction.Soifalargeenoughgroupofpeopleclaimtohaveenjoyed,say,bothSawVandOnGoldenPond,thesoftwarewouldbeforcedtoinferthatthosetwomoviessharesomecommonqualitythattheviewersenjoyed.Crazy?
Orcrazygenius?
Insuchacase,thesoftwarewouldhavediscoveredanaestheticpropertythatwemightnotevenbeawareoforhaveanameforbutwhichinamathematicalsensemustbesaidtoexist.EvenBellandVolinskydon'
talwaysknowwhatthepropertiesare.“Wemightbeabletodescribethem,orwemightnotbeableto,”Bellsays.“Theymightbesubtletieslike‘actionmoviesthatdon'
thavealotofblood,don'
thavealotofprofanitybuthaveastrongfemalelead.'
Thingslikethat,whichyouwouldneverthinktocategorizeonyourown.”AsVolinskyputsit,“Alotoftimes,wedon'
tcomeupwithexplanationsthatareexplainable.”
Thatmakesrecommendationenginessoundpracticallypsychic,buteverydayexperiencetellsusthatthey'
reactuallyprettyfallible.EverybodyhasfelttheoutragethatcomeswhenarecommendationengineaccusesoneofasecretdesiretowatchRockyIV,theonewithDolphLundgreninit.In2006,WalmartwaschargedwithracismwhenitsrecommendationenginepairedPlanetoftheApeswithadocumentaryaboutMartinLutherKing.Butgenerallyspeaking,theweaklinkinarecommendationengineisn'
tthesoftware;
it'
sus.Collaborativefilteringworksonlyaswellasthedataithasavailable,andhumansproducenoisy,low-qualitydata.
Theproblemisconsistency:
we'
rejustnotgoodatexpressingourdesiresinratingform.Weratethingsdifferentlyafterabaddayatworkthanwewouldifwewereonvacation.Somepeoplearenaturallystingywiththeirstars;
othersaregenerous.Weratemoviesdifferentlydependingonwhetherweratethemrightafterwatchingthemorifwewaitaweek,anddifferentlyagaindependingonwhetherwesawalousymovieoragoodmovieinthatinterveningweek.Weevenratedifferentlydependingonwhetherwerateawholebatchofmoviestogetheroroneatatime.
Allthismeansthatthere'
saceilingtohowaccuratecollaborativefilteringcanget.“There'
salotofrandomnessinvolved,”Volinskyadmits.“There'
ssomeintrinsicleveloferrorassociatedwithtryingtopredicthumanbehavior.”
TheGreatChoiceEpidemic
Recommendationenginesarearesponsetothestrangenewworldofonlineretail.It'
saworldcharacterizedbyasurplusofsomethingweusuallycan'
tgetenoughof:
choice.
We'
redrowninginit.AsSheenaIyengarpointsoutinherbookTheArtofChoosing,in1994therewere500,000differentconsumergoodsforsaleintheU.S.NowAmazonaloneoffers24million.Whenfacedwithsuchanoversupplyofchoice,ourlittlelizardbrainsgostraighttovaporlock.“Wethinktheprofusionofpossibilitiesmustmakeitthatmucheasiertofindthatperfectgiftforafriend'
sbirthday,”Iyengarwrites,“onlytofindourselvesparalyzedinthefaceofrowuponrowofpotentialpresents.”We'
relivingthroughanepidemicofchoice.Werequireaninformationalprosthesistonavigateit.Therecommendationengineisthatprosthesis:
itwinnowsthemillionsofoptionsdowntoamanageablehandful.
Butthere'
satrade-offinvolved.Recommendationenginesintroduceanewvoiceintotheculturalconversation,onethatspeakstouswhenwe'
reatourmostvulnerable,whichistosayatthepointofpurchase.Whatisthatvoicesaying?
Recommendationenginesare'
ntdesignedtogiveuswhatwewant.They'
redesignedtogiveuswhattheythinkwewant,basedonwhatweandotherpeoplelikeushavewantedinthepast.
Whichmeanstheydon'
tsurpriseus.Theydon'
ttakeusoutofourcomfortzone.Arecommendationengineisn'
tthespousewhodragsyoutoanartfilmyouwouldn'
thavebeencaughtdeadatbutthenunexpectedlylove.Itwon'
tforceyoutoreadthe18thcenturycanon.It'
snosubstituteforstumblingontoagreatCDjustbecauseithascoolcoverart.RecommendationenginesaretheenemyofserendipityandGreatBooksandtheavant-garde.A19thcenturyrecommendationenginewouldneverhavesaid,IfyoulikedMonet,you'
llloveVanGogh!
Impressionismwouldhavelastedforever.
Theriskyourunwithrecommendationenginesisthatthey'
llkeepyouinarut.Theydothatbecauserutsarecomfyplaces-thoughoftenthey'
redeeperthantheylook.“Bydefinition,wekeepyouinthesam