高三高考英语总复习资料第25讲阅读高分突破3细节题的秘密Word格式.docx
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twanttoweartheskirtmymothermadeforme.Ialwayslikedstandingonthattablebecauseitmademefeeltallandstrong.IfIsitatthistable,Icanseemyfavoriteroominthehouse,myparents'
room.Itissimple:
abrownwoodendresserlinestherightsideofthewallnexttoatelevisionandacoupleofphotosofmygrandparentsoneachside.Theirbedismysafezone.Icanjumponitanytime-wakingupmyparentsifIamscaredorifIhaveanimportantannouncementthatcannotwaituntilthemorning.
I'
mluckybecauseIknowmyfirsthomestillexists.Itexistsinmymindandheart,onaphysicalproperty(住宅)onWest64thstreetonthewesternedgeofLosAngeles.ItisproofIlived,IgrewandIlearned.
SometimeswhenIfeellost,Iliedownandshutmyeyes,andIgohome.Iknowit'
swhereI'
llfindmyfamily,mydogs,andmybelongings.IpurposelyleavethewindowopenatnightbecauseIknowI'
llbeblamedbyMom.ButIdon'
tmind,becauseIwanttohearhersaymyname,whichremindsmeI'
mhome.
43.Whydoestheauthorcallherparents'
bedher"
safezone"
(Paragraph3)?
A.Itisherfavoriteplacetoplay.
B.Herneedscanbesatisfiedthere.
C.Hergrandparents'
photosarelinedoneachside.
D.Herparentsalwaysplaytogetherwithherthere.
44.Whatcanbelearnedfromthepassage?
A.Theoldfurnitureisstillintheauthor'
sfistbedroom.
B.TheauthorcanstillvisitherfirstphysicalmomeinLosAngeles.
C.Theauthor'
sfavoriteroominherfirsthomeisthediningroom.
D.Manypeopleoftheauthor'
sagecanstillfindtheirfirstphysicalhomes.
45.Sometimeswhenshefeelslost,theauthorwill_______.
A.Openthewindowatnight
B.liedowninbedtohaveadream
C.trytobringbackasenseofhome
D.gotoLosAngelestovisithermom
46.Whatistheauthor'
spurposeofwritingthispassage?
A.Toexpresshowmuchsheisattachedtoherhome.
B.Todeclarehowmuchshelovesherfirsthouse.
C.Todescribethestateofherfamily.
D.Tolookbackonherchildhood.
第二篇:
Fearmaybefeltintheheartaswellasinthehead,accordingtoastudythathasfoundalinkbetweenthecyclesofabeatingheartandthechanceofsomeonefeelingfear.
Testsonhealthyvolunteersfoundthattheyweremorelikelytofeelasenseoffearatthemomentwhentheirheartsarecontracting(收缩)andpumpingbloodaroundtheirbodies,comparedwiththepointwhentheheartbeatisrelaxed.Scientistssaytheresultssuggestthattheheartisabletoinfluencehowthebrainrespondstoafearfulevent,dependingonwhichpointitisatinitsregularcycleofcontractionandrelaxation.
SarahGarfinkelattheBrightonandSussexMedicalSchoolsaid:
"
Ourstudyshowsforthefirsttimethatthewayinwhichwedealwithfearisdifferentdependingonwhenweseefearfulpicturesinrelationtoourheart."
Thestudytested20healthyvolunteersontheirreactionstofearastheywereshownpicturesoffearfulfaces.DrGarfinkelsaid,"
Thestudyshowedthatfearfulfacesarebetternoticedwhentheheartispumpingthanwhenitisrelaxed.Thusourheartscanalsoaffectwhatweseeandwhatwedon'
tsee-andguidewhetherweseefear."
Tofurtherunderstandthisrelationship,thescientistsalsousedabrainscanner(扫描仪)toshowhowthebraininfluencesthewaytheheartchangesaperson'
sfeelingoffear.
"
Wehavefoundanimportantmechanismbywhichtheheartandbrain‘speak’toeachothertochangeourfeelingsandreducefear,"
DrGarfinkelsaid.
Wehopethatbyincreasingourunderstandingabouthowfearisdealtwithandwaysthatitcouldbereduced,wemaybeabletodevelopmoresuccessfultreatmentsforanxietydisorders,andalsoforthoseforthosewhomaybesufferingfromseriousstressdisorder."
47.Whatisthefindingofthestudy?
A.One'
sheartaffectshowhefeelsfear.
B.fearisaresultofone'
srelaxedheartbeat.
C.fearhassomethingtodowithone'
shealth.
D.Onesfastheartbeatsarelikelytocausefear.
48.Thestudywascarriedoutbyanalyzing_______.
A.volunteers'
heartbeatswhentheysawterriblepictures
B.thetimevolunteerssawfearfulpicturesandtheirhealthconditions
C.volunteers'
reactionstohorriblepicturesanddataformtheirbrainscans
D.differentpicturesshowntovolunteersandtheirheart-braincommunication
49.Whichofthefollowingisclosestinmeaningto"
mechanism"
inParagraph6?
A.Order.B.system.C.Machine.D.Treatment.
50.Thisstudymaycontributeto_______.
A.treatinganxietyandstressbetter
B.explainingthecycleoffearandanxiety
C.findingtheskytotheheart-braincommunication
D.understandingdifferentfearsinourheartsandheads
第三篇:
TheNationalGallery
Description:
TheNationalGalleryistheBritishnationalartmuseumbuiltonthenorthsideofEuropeanartrangingfrom13th-centuryreligiouspaintingstomoremodernonesbyRenoirandVanGogh.TheoldercollectionsofthegalleryarereachedthroughthemainentrancewhilethemoremodernworksintheEastWingaremosteasilyreachedfromTrafalgarSquarebyagroundfloorentrance.
Layout:
ThemodernSainsburyWingonthewesternsideofthebuildinghouses13th-to15th-centurypaintings,andartistsincludeDuccio,Uccello,VanEyck,Lippi,Mantegna,BotticelliandMemling.
ThemainWestWinghouses16th-centurypaintings,andartistsincludeLeonardodaVinci,Cranach,Michelangelo,Raphael,Bruegel,Bronzino,TitanandVeronese.
TheNorthWinghouses17th-centurypaintings,andartistsincludeCaravaggio,Rubens,Poussin,VanDyck,Velazquez,ClaudeandVermeer.
TheEastWinghouses18th-toearly20th-centurypaintings,andartistsincludeCanaletto,Goya,Turner,Constable,RenoirandVanGogh
OpeningHours:
TheGalleryisopeneverydayfrom10amto6pm(Fridays10anmto9pm)andisfree,butchargesapplytosomespecialexhibitions.
GettingThere:
Nearestundergroundstations:
CharingCross(2-minutewalk),LeicesterSquare(3-minutewalk),Embankment(7-minutewalk),andPiccadillyCircus(8-minutewalk).
68.Inwhichcentury’scollectioncanyouseereligiouspaintings?
A.The13th
B.The17th
C.The18th
D.The20th
69.WhereareLeonardodaVinci’sworksshown?
A.IntheEastWing.
B.InthemainWestWing.
C.IntheSainsburyWing.
D.IntheNorthWing.
70.WhichundergroundstationisclosesttotheNationalGallery?
A.PiccadillyCircus.
B.LeicesterSquare.
C.Embankment.
D.CharingCross.
第四篇:
Sparrowisafast-foodchainwith200restaurants.Someyearsago,thegrouptowhichSparrowbelongedwastakenoverbyanothercompany.AlthoughSparrowshowednosignofdeclining,thechainwasgenerallyinanunhealthystate.Withmoreandmorefast-foodconceptsreachingthemarket,theSparrowmenuhadtostruggleforattention.Andtomakemattersworse,itsnewownerhadnoplanstogiveitthefundsitrequired.
Sparrowfailedtogrowforanothertwoyears.UntilanewCEO,CarlPearson,decidedtobuildupitsmarketshare.Hedidasurvey,whichshowedthatconsumerswhoalreadyusedSparrowrestaurantswereextremelypositiveaboutthechain,whilecustomersofotherfast-foodchainswereunwillingtoturnawayfromthem.Sparrowhadtodevelopanewpromotionalcampaign.
PearsonfacedabattleoverthefutureoftheSparrowbrand.Thechain’sownernowfavoredrebrandingSparrowasMarcy’srestaurants.Pearsonresisted,arguingforanadvertisingcampaigndesignedtoconvincecustomersthatvisitstoSparrowrestaurantswerefun.Suchanattempttoestablishapositiverelationshipbetweenacompanyandthegeneralpublicwasunusualforthattime.Pearsonstronglybelievedthatnumberswerethekeytosuccess,ratherthancustomers’speedingpower.Finally,theowneracceptedhisidea.
Thecampaignitselfchangedthetraditionaladvertisingstyleofthefast-foodindustry.TheTVadsofSparrowfocusedonentertainmentandfeaturedoriginalsonsperformedbyavarietyofstars.Insteadofshowingthesuperiorityofaspecificproduct,theintensionwastoputSparrowintheheartsofpotentialcustomers.
PearsonalsomadeotherdecisionswhichhebelievedwouldcontributetothenewSparrowimage.Forexample,heofferedtolowertherentofanyrestaurantswhichachievedacertainincreaseintheirturnover.(营业额)
Theseeffortspaidoff,andSparrowsoonbecameoneofthemostsuccessfulfast-foodchainsintheregionswhereitoperated.
71.WhichwasoneoftheproblemsSparrowfacedbeforePearsonbecameCEO?
A.Thenumberofitscustomerswasdeclining
B.Itscustomersfoundthefoodunhealthy
C.Itwasinneedoffinancialsupport
D.Mostofitsrestaurantswereclosed
72.Whatdoestheunderlinedword“them”inParagraph2referto?
A.CustomersofSparrowrestaurantsB.Sparrowrestaurants
C.Customersofotherfast-foodchainsD.otherfast-foodchains
73.ForwhatpurposedidPearsonstarttheadvertisingcampaign?
A.Tobuildagoodrelationshipwiththepublic
B.TostresstheunusualtraditionofSparrow
C.Toleanaboutcustomers;
spendingpower.
D.Tomeetthechallenge