建筑学专业Norway-Romsdal-Folk-Museum挪威Romsdal民俗博物馆毕业论文外文文献翻译及原文.docx

建筑学专业Norway-Romsdal-Folk-Museum挪威Romsdal民俗博物馆毕业论文外文文献翻译及原文.docx

《建筑学专业Norway-Romsdal-Folk-Museum挪威Romsdal民俗博物馆毕业论文外文文献翻译及原文.docx》由会员分享，可在线阅读，更多相关《建筑学专业Norway-Romsdal-Folk-Museum挪威Romsdal民俗博物馆毕业论文外文文献翻译及原文.docx（13页珍藏版）》请在冰豆网上搜索。

毕 业 设 计（论文）外 文 文 献 翻 译

文献、资料中文题目：

挪威Romsdal民俗博物馆

文献、资料英文题目：

NorwayRomsdalFolkMuseum文献、资料来源：

文献、资料发表（出版）日期：

院（部）：

专业：

建筑学班级：

姓名：

学号：

指导教师：

翻译日期：

2017.02.14

外 文 翻 译

题目花瑶民俗展示体验中心建筑设计

1.外文资料原文

NorwayRomsdalFolkMuseum

Photographfrom:

StiftelsenRomsdalsmuseet

TheRomsdalFolkMuseumisanarchitectonicattractionandatreasuredlandmarkthatembodiesthehistoryandidentityoftheentireregion.Ourintentioninthisprojectwastoletthestructuresignalitsmeaningandfunctionthroughanarchitecturalexpressionandtheuseoflocalmaterials.Thescaleofthebuildingreferstotheurbanityandmorphologyofthetown.Theoveralllayoutofthemuseumgroundstheconnectionstothetownbylinkingdifferentsurroundingareasinanoverallplanwhereallcirculationislinkedinaunifiedstructure.Theprojectconveysanopenandprogressiveattitudethatmakesdiverseutilizationpossible.

TheMuseumdesignapproachisrootedinrationalityandsustainability.Theplangeometryisdeceptivelysimple,thecharacteristicangledshapesarelimitedtotheroofandtheexternalwall,makingthecirculationandinternalorganisationclearandflexible.Thepublicareasareclearlyseparatedfromtheadministrationwing,whichislocatedonboththegroundandfirstfloor.Exhibitionrooms,theauditoriumandthelibraryareallplacedonthegroundfloortoincreaseflexibilityanduserexperience.Thetransparencyofthereceptionroompermitssupportinginternal

andexternalactivities.Largeslidingdoorsseparatethepermanentandtemporaryexhibitionareas,givingthecuratorstheabilitytocombineorseparatethespaces.Thearchivesandworkshopsarelocatedonthebasementlevel,withtheverticalcirculationoflargeitemsfacilitatedbyalargegoodslift.Pineistheprimarybuildingmaterialofthemuseum.Exteriorwallsandroofaremadeofsolidtimberincombinationofsteelbeamwhenrequired.Theterrainentailedtheuseofconcrete,howeveritsusewasreducetothefoundations.Exteriorwallsandceilingscoveredwithmaintenance-pinerelieftemperedwithbio-basedoil.Differentopeningsfilterthedaylightinsuchwaythattheinternalspaceareenrichedbygradationsandtranslucencynuances.However,themainexhibitionroomsareblackboxes,givingthecuratorstotalcontrolofartificiallighteningintheseareas.Alltheglazingunitshavehigh-energyperformanceglass,insomelocationswithsilkprintedcoloursandpatterns.

TheimpactontheNordicsociety:

TheRomsdalFolkMuseumisagreatexampleofstrategicuseoflow-techbuildingsolutions.ItembodiesthenationalpolicyinNorwaytoaimforamoresustainablefuture.ThemuseumisbuiltusingNorwegiantimbertechnologyandactsasahubforculturaldevelopment.Inthisbuilding,thepeopleofMoldeaswellasvisitorsandtouristsaregiventheopportunitytoconnectandtobuildawidercommunity.ThemuseumhostsnotonlyexhibitsaboutNorwegianculturebutalsoconcerts,workshopsandlecturesonaday-to-daybasis.Thearchitecturalformbringstogethertheregion'sfolkcultureandthearea'scharacteristiclandscapequalitiesinalargercomposition.Therangeofperspectivesandactivitiesensuresa

broadaudience,withthemuseumbecomingalivingcentrefortheexplorationoftheregion’shistory,contemporaryculture,andfuture.

SchöningenGermanypaleontology researchandexperiencecenter

Architects:

HolzerKoblerArchitekturen

Location:

Schöningen,Germany

Area:

4,090㎡

Year:

2013

Photographsfrom:

CourtesyofHolzerKoblerArchitekturen

Fromthearchitect.Architecture

ThePALÄONpushesitselfoutoftheslightlyhillytopographyandcutsintotheforestedmeadows.Thevolumeofthethree-storybuildingandthepathsemanatingfromitformlinesofsightthatdividethelandscapeintovectors.Asecondwindingpathsystemformssynapsesthatconnecttothesurroundings.Thebuildingisacamouflage–ahyperrealisticabstractionofthelandscape.

ThemetallicskinofthePALÄONmirrorsthemeadowsandforeststhatsurrounditaswellasthemovementsofthecloudsintheskypassingby.Throughitsarchaicform,theresearchandexperiencecenterbecomesonewithitssurroundings.Sharp,large-formattedcutsintothebuildingfaçadeofferwide-reachingandfascinatingviewstotheplacewherethespearswerediscovered,thepitofthebrowncoalmine,thenearbyforest,andthePrzewalskihorsesgrazinginthemeadows.Theexpressiveopeningscutintothebuildinglikespearsintheskinofthehorsesandreflectthisdynamicintheformlanguage.Theabstractcutsintothebuildingalsoformallyreacttotheneighboringtracesofopencutmining.Theresultingexpressivearchitecturemediatesbetweenmanmadeandnaturallandscapeandformsanemblemfortheplace.

Exhibition

The