英语六级阅读练习题Word下载.doc
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PassageOne
Inthe1962movieLawrenceofArabia,onesceneshowsanAmericannewspaperreportereagerlysnappingphotosofmenlootingasabotagedtrain.Oneofthelooters,ChiefAudaabuTayioftheHoweitatclan,suddenlynoticesthecameraandsnatchesit.AmIinthis?
heasks,beforesmashingitopen.Tothedismayedreporter,Lawrenceexplains,Hethinksthesethingswillstealhisvirtue.Hethinksyou'
reakindofthief.
Assoonascolonizersandexplorersbegantakingcamerasintodistantlands,storiesbegancirculatingabouthowindigenouspeoplessawthemastoolsforblackmagic.Theignorantnativesmayhavehadapoint.Whenphotographyfirstbecameavailable,scientistswelcomeditasamoreobjectivewayofrecordingfarawaysocietiesthanearlytravelers'
exaggeratedaccounts.Butinsomeways,anthropologicalphotographsrevealmoreabouttheculturethatholdsthecamerathantheonethatstaresback.Upintothe1950sand1960s,manyethnographerssoughtpurepicturesofprimitivecultures,routinelydeletingmodernaccoutrementssuchasclocksandWesterndress.Theypaidmenandwomentore-enactritualsortoposeasmembersofwarorhuntingparties,oftenwithlittleregardforveracity.EdwardCurtis,thelegendaryphotographerofNorthAmericanIndians,forexample,gotoneMakahmantoposeasawhalerwithaspearin1915--eventhoughtheMakahhadnothuntedwhalesinageneration.
Thesephotographsreinforcedwidelyacceptedstereotypesthatindigenouscultureswereisolated,primitive,andunchanging.Forinstance,NationalGeographicmagazine'
sphotographshavetaughtmillionsofAmericansaboutothercultures.AsCatherineLutzandJaneCollinspointoutintheir1993bookReadingNationalGeographic,themagazinesinceitsfoundingin1888haskeptatraditionofpresentingbeautifulphotosthatdon'
tchallengewhite,middle-classAmericanconventions.Whiledark-skinnedwomencanbeshownwithouttops,forexample,whitewomen'
sbreastsaretaboo.Photosthatcouldunsettleordisturb,suchasareasoftheworldtornasunderbywarorfamine,arediscardedinfavorofthosethatreassure,toconformwiththesociety'
sstatedpledgetopresentonlykindlyvisionsofforeignsocieties.Theresult,LutzandCollinssay,isthedepictionofanidealizedandexoticworldrelativelyfreeofpainorclassconflict.
LutzactuallylikesNationalGeographicalot.Shereadthemagazineasachild,anditslushimageryinfluencedhereventualchoiceofanthropologyasacareer.Shejustthinksthataspeoplelookatthephotographsofothercultures,theyshouldbealerttothechoiceofcompositionandimages.
1.Themainideaofthepassageis______________.
[A]PhotographstakenbyWesternexplorersreflectmoreWesterners’perceptionoftheindigenousculturesandtheWesternvalues.
[B]ThereisacomplicatedrelationshipbetweentheWesternexplorersandtheprimitivepeoples.
[C]PopularmagazinessuchasNationalGeographicshouldshowpicturesoftheexoticandidealizedworldstomaintainhighsales.
[D]Anthropologistsaskthenativestoposefortheirpictures,compromisingthetruthfulnessoftheirpictures.
2.Wecaninferfromthepassagethatearlytravelerstothenativelandsoften_________.
[A]tookpictureswiththenatives
[B]gaveexaggeratedaccountsofthenativelands
[C]askforpicturesfromthenatives
[D]gavethenativesclocksandWesterndresses
3.TheauthormentionsthemovieLawrenceofArabiato___________.
[A]showhowpeopleintheindigenoussocietiesareportrayedbyWesterners.
[B]illustratehowpeoplefromprimitivesocietiesseecamerasastoolsofblackmagicthatstealtheirvirtues.
[C]showhowanthropologistsportrayuntruthfulpicturesofnativepeople.
[D]showthecruelandbarbariansideofthenativepeople.
4.“Butinsomeways,anthropologicalphotographsrevealmoreabouttheculturethatholdsthecamerathantheonethatstaresback.”Inthissentence,the“one[culture]thatstaresback”refersto_______.
[A]theindigenousculture
[B]theWesternculture
[C]theacademicculture
[D]thenewsbusinessculture
5.WithwhichofthefollowingstatementswouldCatherineLutzmostprobablyagree?
[A]ReportersfromtheWesternsocietiesshouldroutinelydeletemodernelementsinpicturestakenoftheindigenoussocieties.
[B]TheprimitiveculturesareinferiortothemoreadvancedWesternculture.
[C]Thewesternmediaarenotpresentingarealisticpictureofthefarawaysocieties.
[D]PeopleintheWesternnewsbusinessshouldtrynottochallengethewell-e